c. 1902 - c. 1905
Sketchbook with beige-cloth-covered cardboard covers, pencil sleeve; and the remains of cloth ties. Pages of off-white wove paper. Sewn page block. The sketchbook is incomplete, with thirty-one pages remaining, and it contains 18 drawings. The pages are numbered in red-brown ink in the upper right corners. Contents: Studies of Mrs. Joseph Chamberlain (1902, National Gallery of Art, Washington) and Mrs. Leopold Hirsch (1902, private collection); studies for the portrait of the Marlborough family (1905, Blenheim Palace, Woodstock, Oxfordshire) and a sketch after Reynold’s portrait of the Marlborough family (1777-78, Blenheim Palace); sketches for the Handmaiden of the Lord panel at the Boston Public Library and sketches of a hand holding a bowl that may relate to the Boston Public Library project; profile studies and a sketch of a standing woman. On the first page, Sargent has listed his expenses (?) under various clients' names from Rouen, Dijon, Lyon, Avignon, and Toulouse.
11.6 x 18.5 x 1.1 cm (4 9/16 x 7 5/16 x 7/16 in.)
To the artist's sisters, Violet (Mrs. Francis) Ormond and Emily Sargent, at his death, 1925; gift of Mrs. Ormond to the Fogg Art Museum, 1937.
Watercolor and graphite on white wove paper
20th centuryAmericanWatercolor and graphite on white wove paper
20th centuryAmerican
Black ink, graphite, and yellow chalk on off-white wove paper
20th centuryAmerican
Watercolor and graphite on cream wove paper
20th centuryAmerican
Watercolor over graphite on off-white illustration board
20th centuryAmericanInk and collage on paper
20th centuryAmericanGraphite on paper
20th centuryAmerican
Black ink on tan wove paper (recto and verso)
20th centuryAmericanInk and graphite on paper
19th-20th centuryAmerican
Crayon on paper
20th centuryAmericanGraphite on off-white wove paper
19th-20th centuryAmericanCrayon and graphite on beige wove paper
20th centuryAmerican