c. 1902 - c. 1905
Sketchbook with beige-cloth-covered cardboard covers, pencil sleeve; and the remains of cloth ties. Pages of off-white wove paper. Sewn page block. The sketchbook is incomplete, with thirty-one pages remaining, and it contains 18 drawings. The pages are numbered in red-brown ink in the upper right corners. Contents: Studies of Mrs. Joseph Chamberlain (1902, National Gallery of Art, Washington) and Mrs. Leopold Hirsch (1902, private collection); studies for the portrait of the Marlborough family (1905, Blenheim Palace, Woodstock, Oxfordshire) and a sketch after Reynold’s portrait of the Marlborough family (1777-78, Blenheim Palace); sketches for the Handmaiden of the Lord panel at the Boston Public Library and sketches of a hand holding a bowl that may relate to the Boston Public Library project; profile studies and a sketch of a standing woman. On the first page, Sargent has listed his expenses (?) under various clients' names from Rouen, Dijon, Lyon, Avignon, and Toulouse.
11.6 x 18.5 x 1.1 cm (4 9/16 x 7 5/16 x 7/16 in.)
To the artist's sisters, Violet (Mrs. Francis) Ormond and Emily Sargent, at his death, 1925; gift of Mrs. Ormond to the Fogg Art Museum, 1937.

Black ink on off-white wove paper
20th centuryAmerican
Black ink on cream wove paper
20th centuryAmerican
Black ink on off-white illustration board
20th centuryAmerican
Graphite on blue wove paper
20th centuryAmericanBlack marker on graph paper
20th centuryAmerican
Black ink on white wove paper
20th centuryAmericanBlack and grey wash on prepared white wove paper
20th centuryAmerican
Oil? pastel sketches on ruled paper taken from spiral notebook
20th centuryAmerican
Black ink on cream wove paper; verso: black ink, blue watercolor, and green and orange crayon
20th centuryAmericanPastel on buff wove paper
19th-20th centuryAmerican
Graphite on off-white tracing paper mounted to white wove paper
20th centuryAmericanCharcoal and graphite on off-white wove paper; verso: charcoal
20th centuryAmerican