c. 1902 - c. 1905
Sketchbook with beige-cloth-covered cardboard covers, pencil sleeve; and the remains of cloth ties. Pages of off-white wove paper. Sewn page block. The sketchbook is incomplete, with thirty-one pages remaining, and it contains 18 drawings. The pages are numbered in red-brown ink in the upper right corners. Contents: Studies of Mrs. Joseph Chamberlain (1902, National Gallery of Art, Washington) and Mrs. Leopold Hirsch (1902, private collection); studies for the portrait of the Marlborough family (1905, Blenheim Palace, Woodstock, Oxfordshire) and a sketch after Reynold’s portrait of the Marlborough family (1777-78, Blenheim Palace); sketches for the Handmaiden of the Lord panel at the Boston Public Library and sketches of a hand holding a bowl that may relate to the Boston Public Library project; profile studies and a sketch of a standing woman. On the first page, Sargent has listed his expenses (?) under various clients' names from Rouen, Dijon, Lyon, Avignon, and Toulouse.
11.6 x 18.5 x 1.1 cm (4 9/16 x 7 5/16 x 7/16 in.)
To the artist's sisters, Violet (Mrs. Francis) Ormond and Emily Sargent, at his death, 1925; gift of Mrs. Ormond to the Fogg Art Museum, 1937.
Crayon on paper
20th centuryAmericanWatercolor on ruled off-white wove paper
20th centuryAmericanBlack ink on off-white wove paper
20th centuryAmericanGraphite on cream wove paper
20th centuryAmericanMixed media on paper
20th centuryAmericanBlack ink and charcoal on cream laid paper
20th centuryAmericanColored crayon on cream wove paper; verso: black ink and graphite
20th centuryAmericanBlack ink on off-white wove paper
20th centuryAmericanGraphite on off-white wove paper
20th centuryAmericanBlack ink on off-white wove paper (recto and verso)
20th centuryAmericanGraphite on buff wove paper
20th centuryAmericanGraphite with touches of red crayon on off-white wove paper
20th centuryAmerican