DrawingsBritish19th century
Inscription; verso: Blank page
19th century
Artists
Frederic LeightonArtist
Dimensions
12.3 x 7.2 cm (4 13/16 x 2 13/16 in.)
Provenance
Geoffrey Steele's Bookshop, Mahopac, NY, sold to Fogg, 1946.
Related Artworks
View MoreDrawings
Near Shaugh Bridge, near Devon
William Payne, 18th-19th century
Watercolor on white, lightweight card- board
18th-19th centuryBritishDrawings
Sir Galahad
Edward Burne-Jones, 1858
Black ink on vellum
19th centuryBritishDrawings
Wood Sprite and Study of a Leg, for "Hill Fairies"; verso: Wood Sprite
Edward Burne-Jones, 19th century
Black crayon and graphite on heavy cream wove paper; verso: black crayon
19th centuryBritishDrawings
Architectural Studies: Lintels, Abacus Heads, Arches, etc. (House of Dandolo)
John Ruskin, 1849
Brown ink, brown wash, and graphite on thin cream wove paper
19th centuryBritishDrawings
River and Bridge
John Constable, 19th century
Graphite and watercolor on beige wove paper
19th centuryBritishDrawings
Harriet Beecher Stowe (1811-1896)
George Richmond, 1853
Black, white, and red chalk and graphite(?) on brown wove paper, darkened
19th centuryBritishDrawings
North Creake Abbey, Norfolk
John Sell Cotman, 1818
Black chalk and wash
19th centuryBritishDrawings
In Aid of Troy, Latona, Phoebus Came... (Iliad)
John Flaxman, 18th-19th century
Black ink and graphite on cream wove paper
18th-19th centuryBritishDrawings
Notre Dame, Louviers
Samuel Prout, 19th century
Brown ink and wash on buff paper, discolored
19th centuryBritishDrawings
Figures Crossing a Bridge
Isaac Robert Cruikshank, 19th century
Graphite and watercolor on off-white paper
19th centuryBritishDrawings
Banner; verso: Three Banners
Edward Burne-Jones, 19th century
Black chalk on cream modern laid paper
19th centuryBritishDrawings
The Days of Creation: The Second Day
Edward Burne-Jones, 1870-1876
Watercolor, gouache, shell gold, and platinum paint on linen-covered panel prepared with zinc white ground
19th centuryBritish