Santa Maria Maggiore, Venice

Silverpoint and white gouache on modern wove paper, prepared with lead white, French chalk, Italian ochre, and rabbit skin glue

Graphite on paper

Graphite on paper

Graphite on paper

Gray ink and gray wash on cream antique laid paper

Watercolor over graphite on off-white wove paper; verso: brown ink

Ink, colored washes, and applied type on paper

Black ink, gray and red wash, incised, on cream antique laid paper, with two framing lines in gray ink; verso: incised, with oil residue

Brown ink, gray and rose wash over black chalk, incised, on cream antique laid paper, framing line in black chalk and brown ink, mounted on an album leaf; verso: partially visible, outlines of recto are traced through in black chalk, incised

Black and red chalk on cream antique laid paper

Graphite on paper

Graphite on paper