Bust of Seneca, after the Antique

Male Head in Profile; verso: Two Male Heads in Profile and Reclining Male Figure

Washington Allston, 1812 - 1813

Black ink on off-white wove paper

Joseph Lindon Smith, 1886

Old Bridge to Bondo

Watercolor and white gouache over graphite on brown wove paper

The Angel of Help, Study for Helen Angier Ames Memorial Window, Unity Church, North Easton, Massachusetts

John La Farge, c. 1884

Transparent and opaque watercolor over graphite and black ink on tracing paper mounted on buff wove paper

Capital, after the Antique

Robert David Gauley, 1893

Graphite on thin off-white wove paper

Lorenzo, Atitlan , Guatemala

Doris Rosenthal, 19th-20th century

Black crayon on thin ivory wove paper

Four Male Figures for "The Angel Releasing Saint Peter;" verso: Rocks and Tree

Washington Allston, c. 1812

Brown ink over graphite on ivory laid paper; verso: graphite

Head of a Woman, study for "Saul and the Witch of Endor"

Washington Allston, c. 1820

Graphite and brown ink on ivory laid paper

Seated Draped Male, for "Philosophy," Museum of Fine Arts, Boston

John Singer Sargent, 1922-1924

Graphite on oiled brown wove paper, squared

Denman Waldo Ross, 19th-20th century

Assouan, Egypt

Watercolor over graphite on off-white wove paper

Rivière du Loup en Bas, Quebec, Canada

Edward Ruggles, c. 1860

Oil on tan wove paper

Sketchbook: Animal Studies

John Singer Sargent, 19th-20th century

Sketchbook with cream paper-covered cardboard covers

Sketches for Figures, "Judgment" Lunette, Boston Public Library (recto and verso)

John Singer Sargent, 1895-1916

Graphite on off-white wove paper