10th-8th century BCE
This bulbous finial support is decorated with four faces. The faces have two variations, and each face shares elements with the neighboring faces. Each face is composed of two large, circular eyes, a nose, and ears. The ears of one face become the noses of the neighboring faces and vice versa; the neighboring faces share the eyes. Two have broad faces, with molded jawlines and no mouths, short, prominent noses, and large, two-lobed ears. The other two faces are more animal-like, with longer, less prominent noses, small molded mouths connected to raised jowl lines (the jaw-lines of the adjacent faces) and curved, prominent ears (very animal-like) with the interior area indicated. The finial support is widest where the body connects to the cylindrical neck, and it tapers toward the open bottom, which is ringed by three raised bands; the lowest band is the thickest. Where the body joins the neck, there is a molded ring with two raised bands. The neck is uniformly cylindrical, with an opening at the top for the insertion of a pin from a finial. The hole does not completely traverse the body. The top is a flattened, plain circle.
13.2 x 4.8 cm (5 3/16 x 1 7/8 in.)
Bronze
20th centuryFrenchOff-white earthenware with cold-painted pigments over white slip (or white gesso?) ground in localized areas
8th centuryChineseTerracotta, remains of heavy white slip and traces of paint
4th-1st century BCEGreekPlaster
Marble
1st-2nd century CERomanBronze with gilding
16th centuryItalianBronze with brown patina
19th centuryFrenchWhite marble
8th-9th centuryChineseBronze
20th centuryAmericanMarble
19th centuryAmericanGray limestone
7th-8th centuryThaiWood
18th centuryUnidentified culture