10th-8th century BCE
This bulbous finial support is decorated with four faces. The faces have two variations, and each face shares elements with the neighboring faces. Each face is composed of two large, circular eyes, a nose, and ears. The ears of one face become the noses of the neighboring faces and vice versa; the neighboring faces share the eyes. Two have broad faces, with molded jawlines and no mouths, short, prominent noses, and large, two-lobed ears. The other two faces are more animal-like, with longer, less prominent noses, small molded mouths connected to raised jowl lines (the jaw-lines of the adjacent faces) and curved, prominent ears (very animal-like) with the interior area indicated. The finial support is widest where the body connects to the cylindrical neck, and it tapers toward the open bottom, which is ringed by three raised bands; the lowest band is the thickest. Where the body joins the neck, there is a molded ring with two raised bands. The neck is uniformly cylindrical, with an opening at the top for the insertion of a pin from a finial. The hole does not completely traverse the body. The top is a flattened, plain circle.
13.2 x 4.8 cm (5 3/16 x 1 7/8 in.)
Terracotta
EtruscanSun-dried clay with gold pigment on the face, blue pigment on the hair and red pigment on the lips
12th centuryCentral AsianSun-dried clay with polychrome pigments
12th centuryCentral AsianTerracotta and plaster
19th-20th centuryFrenchRed spray paint on sheet aluminum
20th centuryGermanBronze
20th centuryAmericanBronze
20th centuryAmericanBrass with silver inlay eyes; from Kashmir
8th centuryIndianBronze
7th-1st century BCEEgyptianPlaster
19th centuryItalianPentelic marble
4th century BCEGreekPlaster
19th centuryItalian