10th-8th century BCE
This bulbous finial support is decorated with four faces. The faces have two variations, and each face shares elements with the neighboring faces. Each face is composed of two large, circular eyes, a nose, and ears. The ears of one face become the noses of the neighboring faces and vice versa; the neighboring faces share the eyes. Two have broad faces, with molded jawlines and no mouths, short, prominent noses, and large, two-lobed ears. The other two faces are more animal-like, with longer, less prominent noses, small molded mouths connected to raised jowl lines (the jaw-lines of the adjacent faces) and curved, prominent ears (very animal-like) with the interior area indicated. The finial support is widest where the body connects to the cylindrical neck, and it tapers toward the open bottom, which is ringed by three raised bands; the lowest band is the thickest. Where the body joins the neck, there is a molded ring with two raised bands. The neck is uniformly cylindrical, with an opening at the top for the insertion of a pin from a finial. The hole does not completely traverse the body. The top is a flattened, plain circle.
13.2 x 4.8 cm (5 3/16 x 1 7/8 in.)
Molded, light gray earthenware with traces of cold-painted pigments and of gold leaf
6th centuryChinesePainted wax
18th centuryBritishHard-paste porcelain decorated with polychrome enamels and gold
18th centuryGermanTerracotta
GreekTerracotta
GreekClay with paint
11th-10th century BCEEgyptianBronze
20th centuryItalianIvory
18th-19th centuryFrenchMarble
20th centuryAmericanLeaded bronze
2nd millennium BCESyro-HittiteMarble
3rd century CERomanPlaster, beeswax, human hair, cotton, leather, aluminum pull tabs, enamel paint
21st centuryAmerican