c. 1500
80.1 x 129.3 cm (31 9/16 x 50 7/8 in.) frame: 97.2 x 147.3 x 8.9 cm (38 1/4 x 58 x 3 1/2 in.)
Possibly commissioned from the artist to Guidantonio di Giovanni Vespucci, Florence, c. 1500, gift; to Giovanni di Guidantonio Vespucci and Namiciana di Benedetto Nerli on the occasion of their wedding, Florence, 1500, acquired; by Piero Salviati (1), Florence, 1533, bequeathed; to his wife, Ginevra Bartolini Salimbeni, Florence, 1564, bequeathed; to her daughter Maddalena Salviati, by descent; to Giovanni de’ Bardi di Vernio and his wife, Lucrezia Salviati (daughter of Piero Salviati), by descent; to Cosimo Ridolfi (son of Piero Ridolfi and Maddalena Salviati) sold; to the Baglioni family, acquired; by [Monte Comune (public bank)] to Lodovico Incontri (1676). [Giovanni Freppa, Florence, by 1851]. Sir Thomas Sebright, Beechwood, England, by 1857, by descent?; to Sir Giles Sebright Beechwood, England, until 1935, sold; to Mrs. (Jean) R. Langton Douglas, London and Waycross, Georgia, and Vitale Bloch, London, each as 50% owners, by 1937, sold; to Fogg Art Museum, 1940. (2) Notes: (1) Vasari records seeing the painting, along with its companion “The Discovery of Honey” in the Worcester Art Museum (1937.76) in the Palazzo Salviati c. 1550. (2)The paintings in the Worcester and Harvard Art Museums shared a common provenance until the “Discovery of Honey” was sold in 1937 to the Worcester Art Museum and the “Misfortunes of Silenus” was sold in 1940 to the Fogg Art Museum. The Fogg Art Museum purchased the painting directly from Mrs. Douglas.
Album leaf; ink and light color on paper
20th centuryJapaneseLeft scroll of a diptych; Chinese ink and color on Xuan paper
21st centuryChineseOil on canvas
16th-17th centuryItalian, VenetianOil on canvas
19th centuryFrenchOil on canvas
17th centuryItalian, NeapolitanOil on canvas
19th centuryAmericanOil on canvas
20th centuryOil on canvas
17th centuryItalianOil on canvas
20th centuryAmericanHanging scroll; ink and light colors on paper with artist's signature reading "Lian jushi mo"
18th centuryChineseThangka reformatted as a framed panel; ink and color on fabric. Sino-Tibetan style.
18th centurySino-TibetanOil on cardboard
19th-20th centuryAmerican