The Reception of Henry III at Venice
DrawingsItalian16th century

The Reception of Henry III at Venice

16th century

Artists

Andrea MichieliArtist
Classification
Drawings
Medium
Brown ink and brown wash over black chalk on cream antique laid paper, laid down overall to cream wove paper decorated mount
Culture
Italian
Century
16th century
Division
European and American Art
Department
Department of Drawings

Dimensions

irregular: 28.5 x 28.5 cm (11 1/4 x 11 1/4 in.)

Provenance

John Barnard, London (Lugt 1419). Charles A. Loeser, Florence, bequest; to Fogg Art Museum, 1932

Related Artworks

View More
The Annunciation
Drawings
The Annunciation
Antonio Tempesta, 16th-17th century

Brown ink, brown wash, black chalk on off-white antique laid paper

16th-17th centuryItalian
Pointing Figure; verso: Sketch of a Shoulder and Arm
Drawings
Pointing Figure; verso: Sketch of a Shoulder and Arm
Unidentified Artist, 16th century

Black chalk wih traces of white chalk on faded blue antique laid paper (recto and verso)

16th centuryItalian
A Putto and Seated Nude Youth Playing with Lions
Drawings
A Putto and Seated Nude Youth Playing with Lions
Perino del Vaga, 16th century

Brown ink on buff antique laid paper

16th centuryItalian
Two Studies Derived from "Crouching Aphrodite"; verso: Two Studies of a Nude Child
Drawings
Two Studies Derived from "Crouching Aphrodite"; verso: Two Studies of a Nude Child
Fra Bartolommeo della Porta, 15th-16th century

Black chalk on off-white antique laid paper; verso: red chalk

15th-16th centuryItalian
Head of a Roman Soldier
Drawings
Head of a Roman Soldier
Giulio Romano, 16th century

Gouache with traces of watercolor over black chalk on dark cream antique laid paper, mounted overall to board with a blue decorated antique laid paper border

16th centuryItalian
Design for a Sopraporta
Drawings
Design for a Sopraporta
Paolo Farinati, 16th century

Brown ink and brown wash heightened with white gouache over black chalk on blue antique laid paper

16th centuryItalian
Standing Woman Seen from Behind
Drawings
Standing Woman Seen from Behind
Raphael, 16th century

Brown ink over graphite on cream antique laid paper, laid down overall to off-white wove paper

16th centuryItalian
Assumption of the Virgin
Drawings
Assumption of the Virgin
Camillo Procaccini, 16th-17th century

Brown ink and brown wash over graphite on tan antique laid paper, traced over with a stylus and irregularly squared in black chalk

16th-17th centuryItalian
Copy after the Louvre Study for "La Belle Jardiniere" by Raphael
Drawings
Copy after the Louvre Study for "La Belle Jardiniere" by Raphael
Raphael, 16th century

Brown ink on cream antique laid paper, squared in red chalk, laid down overall on cream antique laid decorated mount of John Barnard (?)

16th centuryItalian
Studies for a Crucifixion; verso: Two Sketches of a Circumcision
Drawings
Studies for a Crucifixion; verso: Two Sketches of a Circumcision
Paolo Caliari, called Veronese, c. 1582

Brown ink and brown wash on off-white antique laid paper; verso: brown ink

16th centuryItalian
Seated Martyr
Drawings
Seated Martyr
Cesare Dandini, 16th-17th century

Red chalk, red wash on cream antique laid paper

16th-17th centuryItalian
Venus with Cupids; verso: Landscape
Drawings
Venus with Cupids; verso: Landscape
Francesco Albani, 16th-17th century

Brown ink and red chalk on tan antique laid paper; verso: red chalk

16th-17th centuryItalian
The Reception of Henry III at Venice | Harvard Art Museums | KenAI