17th century
21.9 × 27.3 cm (8 5/8 × 10 3/4 in.)
Possibly Jacob de Wit. Possibly Joseph Daniel Böhm, Vienna (L. 1442, without his mark). Rudolf Peltzer, Cologne (L. 2231, with his mark). Possibly Werner Weisbach, Basel, Switzerland. Paul J. Sachs, Cambridge, MA (L. 2091, without his mark), to Charles A. Loeser, Florence, Italy, bequest; to Fogg Art Museum, 1932.
Gray ink and brown wash over graphite or black chalk, incised, with a framing line in brown ink, on cream antique laid paper
17th-18th centuryFlemishRed and black chalk, brown wash, red watercolor, and white and brown opaque watercolor, on cream antique laid paper, partial framing line in graphite; added strip at lower right, perhaps not original
17th centuryFlemishBrown ink, with a framing line in brown ink, on cream antique laid paper, laid down on antique laid paper
16th-17th centuryFlemishBrown ink, brown wash, and white and gray opaque watercolor over black chalk on off-white antique laid paper, partial framing line in graphite and mounted overall to wove paper
17th centuryFlemishBrown ink on parchment, mounted at two sides
17th centuryFlemishBlack chalk and touches of white chalk on light tan paper
17th centuryFlemishTransparent watercolor and touches of gold on antique laid paper
17th centuryFlemishBrown ink and brown and gray wash over graphite on cream antique laid paper, framing line in brown ink
16th-17th centuryFlemishOpaque watercolor on parchment, scored around perimeter; verso: green transparent watercolor
17th centuryFlemishBlack, red, and white chalk, brown wash on cream antique laid paper, top trimmed to an arch, mounted overall
17th centuryFlemishBrown oil counterproof on off-white antique laid paper
17th centuryFlemishBrown ink, black chalk and white opaque watercolor on off-white antique laid paper, partial framing line in brown ink, possibly autograph
16th-17th centuryFlemish