17th century
21.9 × 27.3 cm (8 5/8 × 10 3/4 in.)
Possibly Jacob de Wit. Possibly Joseph Daniel Böhm, Vienna (L. 1442, without his mark). Rudolf Peltzer, Cologne (L. 2231, with his mark). Possibly Werner Weisbach, Basel, Switzerland. Paul J. Sachs, Cambridge, MA (L. 2091, without his mark), to Charles A. Loeser, Florence, Italy, bequest; to Fogg Art Museum, 1932.
Black and white chalk and charcoal on light gray antique laid paper discolored to tan
17th centuryFlemishBlack chalk on off-white antique laid paper
16th-17th centuryFlemishBlack and red chalk and gray wash on cream antique laid paper, partial framing line in brown ink
17th centuryFlemishRed chalk counterproof on cream antique laid paper, laid down on antique laid paper
17th centuryFlemishBrown ink, blue wash, white opaque watercolor, some oxidized in angels, over graphite, incised almost overall, on off-white antique laid paper, mounted down; two angels at lower right cut out, the rest of the drawing laid down, and piece readhered 7 mm lower with brown ink and blue wash fill
17th centuryFlemishBrown ink, brown wash and white opaque watercolor over black chalk on white antique laid paper
17th-18th centuryFlemishBrown ink, brown and gray wash, and black chalk on off-white antqiue laid paper
17th centuryFlemishBrown ink over graphite on off-white antique laid paper; verso: brown ink trial strokes
17th-18th centuryFlemishBrown ink, brown wash and black chalk, squared in black chalk, on cream antique laid paper, partial framing line in brown ink; verso: brown ink
17th centuryFlemishBlue, green, pink and brown washes and brown ink on cream antique laid paper, framing line in brown ink
17th centuryFlemishBrown ink and gray wash on off-white antique laid paper, framing line in black ink
17th centuryFlemishBlack chalk on gray antique laid paper; verso: black chalk
17th centuryFlemish