Portrait of a Young Man

Blank page; verso: Lady Morton and Mrs. Killigrew, after Van Dyck, with color notations

Sir Joshua Reynolds, 18th century

Black chalk on cream antique laid paper

The First Sight of the Spiritual World

John Flaxman, 18th-19th century

Black ink, gray wash, and graphite on cream antique laid paper

Wooded Landscape with Herdsman, Cows and Church

Thomas Gainsborough, 18th century

Black chalk and transparent watercolor, lead white applied dry, the whole dipped in skim milk, on cream antique laid paper

Confluence of Wye and Severn, near Chepstow

Edward Dayes, 1793

Watercolor, gray ink, and graphite on cream paper

The Magician

Michael Rysbrack, 1730

Brown ink, gray and brown wash and white gouache on cream antique laid paper

Robert Hills, 18th-19th century

Nature Study

Watercolor over graphite on cream wove paper

Joseph Mallord William Turner, c. 1795

Coleford Mill

Graphite on off-white wove paper

Thomas Rowlandson, c. 1783-1784

Mrs. Samuel Howitt

Watercolor and black ink over graphite on cream paper

Landscape with River and Figures

John Clark, 18th century

Watercolor

Thomas Rowlandson, 18th-19th century

Entrance to Dover Castle

Brown ink and gray and red-brown wash over graphite on cream paper

Homer Invoking His Muse (Iliad)

John Flaxman, before 1805

Gray ink and graphite on cream wove paper

John Sell Cotman, 18th-19th century

Mountain Lake

Watercolor on cream wove paper