17th century
actual: 29.4 x 19.9 cm (11 5/8 x 7 7/8 in.)
Joshua Reynolds, London (L. 2364, with his mark). William Mayor, London (L. 2799, with his mark). Charles A. Loeser, Florence, Italy, bequest; to Fogg Art Museum, 1932.
Black chalk, gray wash, brown ink and white opaque watercolor, incised, on cream antique laid paper, partial framing lines in brown and black ink
17th centuryFlemishBrown ink, brown wash, and white and gray opaque watercolor over black chalk on off-white antique laid paper, partial framing line in graphite and mounted overall to wove paper
17th centuryFlemishBrown ink, brown wash, and black chalk on off-white antique laid paper
17th centuryFlemishBlack chalk and touches of white chalk on light tan paper
17th centuryFlemishBrown ink, brown wash and black chalk, squared in black chalk, on cream antique laid paper, partial framing line in brown ink; verso: brown ink
17th centuryFlemishRed and black chalk, brown wash, red watercolor, and white and brown opaque watercolor, on cream antique laid paper, partial framing line in graphite; added strip at lower right, perhaps not original
17th centuryFlemishBlack and red chalk on off-white antique laid paper, framing line in brown ink; verso: red chalk offset with random black chalk smudges
17th centuryFlemishBrown ink and brown wash over graphite on cream antique laid paper
16th-17th centuryFlemishBlack, red, and white chalk, brown wash on cream antique laid paper, top trimmed to an arch, mounted overall
17th centuryFlemishBlack and white chalk and black wash on light tan antique laid paper, mounted overall
17th centuryFlemishBrown ink and gray wash on off-white antique laid paper, framing line in black ink
17th centuryFlemishBrown ink, blue wash, white opaque watercolor, some oxidized in angels, over graphite, incised almost overall, on off-white antique laid paper, mounted down; two angels at lower right cut out, the rest of the drawing laid down, and piece readhered 7 mm lower with brown ink and blue wash fill
17th centuryFlemish