17th century
15.8 x 20.9 cm (6 1/4 x 8 1/4 in.)
Unidentified Dutch collector, c. 1700 (his inscription, verso, lower center). Probably Pieter Testas de Jonge, Amsterdam, sold; [probably De Leth, Amsterdam, 29 March 1757 and following days, under lots H. 404-415], entire series of the Twelve Months sold; to Van Beest. Possibly Bernardus Hagelis, Amsterdam, possibly sold; [De Leth, Amsterdam, 8 March 1762, lot F. 484, as part of entire series.] Dionys Muilman, Amsterdam, sold; [De Bosch, Amsterdam, 29 March 1773 and following days, under lots I. 634-45], entire series; to Jacob de Vos, Amsterdam. Possibly Nicolaas Nieuhoff, Amsterdam, possibly sold; [Van der Schley, Amsterdam, 14 April 1777 and following days, under lots Q.1256-62] as individual sheets; to various buyers (Ploos, Fouquet, Oets and Yver). Probably Jan Hulswit, Amsterdam, probably sold; [De Vries, Amsterdam, 20 October 1822, lot H. 4.]; to De Vries. Probably Hendrik Harmen Klijn, Amsterdam, probably sold; [Roos, Amsterdam, 27 May 1856, lot 26]; to Engelberts. Madame… van Kinschot-Luden, Amsterdam, or “Fundatie Renswoude,” Utrecht, sold; [Muller, Amsterdam, 31 January 1899 and following days, lot 747.] Amsterdam collector or trade, sold; to Charles A. Loeser, New York and Florence, 1901 (his inscription, verso); Bequest of Charles A. Loeser, 1932.206* *Alice Davies expertly reconstructed the provenance of this drawing, along with the larger series of the Twelve Months to which it belongs, in her monograph of Everdingen’s drawings, see Davies 2007, pp. 365-66, cat. nos. 529 and 531, and pp. 40, 104-5. The series appears to have remained largely intact – despite often having been sold as separate lots – until the sale of Nicolaas Nieuhoff in 1777, where four buyers each claimed a portion of the twelve sheets. The descriptions in this sale catalogue are not detailed enough, however, to know for certain if the series as sold consisted of the Everdingen’s original suite or one cobbled together of mismatched sheets, nor which buyer purchased our drawing. Nonetheless, thereafter, Ships at Sea was sold as an independent sheet.
parchment
17th centuryDutchBrown ink on off-white antique laid paper, framing lines in brown ink
17th centuryDutchBlack and white chalk on blue paper, faded to gray-beige, partial framing line in black ink
17th centuryDutchBrown ink and gray wash with touches of graphite on cream antique laid paper
17th centuryDutchCharcoal (oiled?), black chalk, and white chalk on brown antique laid paper
17th centuryDutchBrown ink and wash with white opaque watercolor over black chalk on beige antique laid paper
17th centuryDutchGouache, watercolor, and black chalk on cream antique laid paper
17th centuryDutchOil on beige antique laid paper, prepared with blue oil paint
17th centuryDutchBlack and white chalk on light tan antique laid paper, mounted
17th centuryDutchBrown ink and brown wash on cream antique laid paper, laid down at corners to cream antique laid paper
17th centuryDutchOffset in brown wash on parchment (from the drawing on folio 22 verso); verso: graphite, autograph framing line in graphite
17th centuryDutchBlack chalk on parchment
17th centuryDutch