Portrait of Miss Fullerton

Blank page; verso: Half-Length Man in Toga

Sir Joshua Reynolds, 18th century

Black chalk on cream antique laid paper

Near the Mouth of the Avon

Joseph Mallord William Turner, c. 1791-1792

Watercolor over black chalk on heavy cream wove paper

Thomas Girtin, 18th century

Bishop's Bridge, Norwich

Watercolor, heavily sized, with touches of graphite on tan laid paper

Joseph Mallord William Turner, 1801

Benvenue (?)

Graphite on cream wove paper, darkened

Wooded Landscape with Horseman

Thomas Gainsborough, 18th century

Watercolor and gouache over black chalk on cream antique laid paper

John Flaxman, 18th-19th century

Classical Figures

Gray ink and graphite on cream modern laid paper

Henry Edridge, 18th-19th century

Abbeville

Brown and gray ink over graphite on cream paper

Two Studies of a Man with a Hat; verso: blank

Sir Joshua Reynolds, 18th century

Graphite on cream antique laid paper

John Glover, 18th-19th century

Landscape

Black and gray wash over black chalk on off-white paper, laid down

King Edgar's Gate, Worcester

Joseph Mallord William Turner, c. 1792-1795

Graphite on off-white wove paper, yellowed

Blank page; verso: Time Clipping Cupid's Wings, after Van Dyck

Sir Joshua Reynolds, 18th century

Black chalk on cream antique laid paper

Sailor Clinging to a Spar

Samuel Drummond, 18th-19th century

Black and red chalk on blue-gray paper