Wooded Landscape with Horseman

Blank page; verso: Time Clipping Cupid's Wings, after Van Dyck

Sir Joshua Reynolds, 18th century

Black chalk on cream antique laid paper

Sketches of Young Man, Two Gentlemen, and Young Lady; verso: Gentleman in Three-Quarter Coat

Paul Sandby, 18th-19th century

Black ink

Near the Mouth of the Avon

Joseph Mallord William Turner, c. 1791-1792

Watercolor over black chalk on heavy cream wove paper

George Chinnery, 18th-19th century

Sampan

Graphite and brown wash on off-white paper

Thomas Rowlandson, 18th-19th century

A Woman's Head

Watercolor and red ink over graphite and black chalk on cream antique laid paper

Thomas Rowlandson, 18th-19th century

Entrance to Dover Castle

Brown ink and gray and red-brown wash over graphite on cream paper

Portrait of Agnes Murray

John Downman, 1792

Black and white chalks with stumping on badly torn paper faded to brown, laid down on another sheet, in turn laid down

Ezekiel's Vision (The Valley of Dry Bones)

William Young Ottley, 18th-19th century

Watercolor and brown ink on off-white antique laid paper

John Sell Cotman, 18th-19th century

Mountain Lake

Watercolor on cream wove paper

Thomas Rowlandson, 18th-19th century

The Cobbler's Shop

Watercolor and black ink on cream paper

Satan, Sin and Death; verso: Sketches of Women

Thomas Stothard, 18th-19th century

Black ink and graphite on cream antique laid paper; verso: graphite

A Torrent by a Clump of Trees

Thomas Girtin, c.1798

Watercolor on cream paper