c. 1857
The drawing is formed by two sheets of paper very cleverly joined. The seam runs from the left edge just below the sides of the beef horizontally to the breast of the side of beef in the foreground. It then follows the line of the carcass around to the other side above the point where the pole disappears behind the haunch. It then proceeds horizontally over the butcher's head, vertically down behind his shoulder and horizontally to the right edge over the chopping block. The upper half has been added to the lower half sometime early in the execution of the drawing and thus it probably represents a substantial correction of an earlier conception to which the artist attached great importance, as he took such pains to conceal it and to unify the finished work. (undated Conservation note by Marjorie B. Cohn)
33.5 x 24.2 cm (13 3/16 x 9 1/2 in.) framed: 55.9 x 45.1 x 2.5 cm (22 x 17 3/4 x 1 in.)
Etienne Bignou, Paris; Reginald Davis, Paris; acquired through [Martin Birnbaum] by Grenville L. Winthrop, November 1927; his bequest to the Fogg Art Museum, 1943.
Black crayon, squared in black crayon, on off-white antique laid paper
19th centuryFrenchalbum of 77 drawings by 24 artists
19th centuryFrenchBlack ink on darkened tracing paper, mounted to laid paper
19th centuryFrenchBlack ink on tracing paper, darkened and mounted to wove paper
19th centuryFrenchBlack crayon, black ink, watercolor, and gouache on cream laid paper
19th centuryFrenchBlack crayon, squared in black and red crayon, on off-white antique laid paper
19th centuryFrenchTransparent watercolor and graphite on white wove paper
19th centuryFrenchBrown ink over graphite on cream wove paper
19th centuryFrenchGraphite on off-white wove paper
19th centuryFrenchPastel on canvas
19th-20th centuryFrenchBlack lithographic crayon and scratchwork on beige tracing paper, mounted on cardboard
19th-20th centuryFrench