Tools Services Portfolio About Contact

Tools Services Portfolio About Contact

Made with by Lê Trực 0983470827 © 2025 KenAI.vn

Ugolino's Narrative (from Dante's "Divine Comedy") | Harvard Art Museums | KenAI

Harvard Art Museums
Artworks
Ugolino's Narrative (from Dante's "Divine Comedy")

Ugolino's Narrative (from Dante's "Divine Comedy")

DrawingsBritish19th century

Ugolino's Narrative (from Dante's "Divine Comedy")

1824-1827

Artists

William BlakeArtist

Classification

Drawings

Medium

Watercolor, black ink, graphite, and black chalk on off-white antique laid paper

Culture

British

Century

19th century

Division

European and American Art

Department

Department of Drawings

Dimensions

37 × 52.3 cm (14 9/16 × 20 9/16 in.)

Provenance

Grenville Lindall Winthrop, New York, bequest; to Fogg Art Museum, 1943

Related Artworks

Whitby Harbor, Yorkshire; verso: small indecipherable sketch

Whitby Harbor, Yorkshire; verso: small indecipherable sketch

Joseph Mallord William Turner, 1801

Graphite on cream wove paper

19th centuryBritish

Portrait of a Man

Portrait of a Man

Hawkesworth, 19th century

Graphite on cream wove paper

19th centuryBritish

And Smote Job with Sore Boils from the Sole of His Foot to the Crown of His Head (The Book of Job)

And Smote Job with Sore Boils from the Sole of His Foot to the Crown of His Head (The Book of Job)

William Blake, 1821

Watercolor, black ink and graphite on cream laid paper

19th centuryBritish

And My Servant Job Shall Pray for You (The Book of Job)

And My Servant Job Shall Pray for You (The Book of Job)

William Blake, 1821

Watercolor, black ink, and graphite on cream antique laid paper

19th centuryBritish

Architectural Study; verso: Sketches of Vessels

Architectural Study; verso: Sketches of Vessels

Frederic Leighton, 19th century

Metalpoint on prepared paper

19th centuryBritish

Sketchbook: Brighton

Sketchbook: Brighton

Unidentified Artist, 1829

Sketchbook with marbled paper covers; 33 watercolors

19th centuryBritish

Study for "The Blessed Damozel" (First Sketch for Background)

Study for "The Blessed Damozel" (First Sketch for Background)

Dante Gabriel Rossetti, 1876

Black, red, and white chalk on green wove paper, two sheets joined

19th centuryBritish

Leatherhead Church, near Epsom, from the Northwest

Leatherhead Church, near Epsom, from the Northwest

John Constable, 1806

Graphite on off-white wove paper

19th centuryBritish

Banner; verso: Banner

Banner; verso: Banner

Edward Burne-Jones, 19th century

Black chalk on cream modern laid paper

19th centuryBritish

Kneeling Woman; verso: Reclining Woman

Kneeling Woman; verso: Reclining Woman

Robert J. Burns, 19th-20th century

Graphite on cream paper

19th-20th centuryBritish, Scottish

Seated Male Nude; verso: Seated Male Nude with Right Foot on Right Knee

Seated Male Nude; verso: Seated Male Nude with Right Foot on Right Knee

Frank Samuel Eastman, 19th-20th century

Black and white chalk on tan wove paper; verso: black chalk

19th-20th centuryBritish

Donati Transformed into a Serpent; Francesco de'Cavalcanti Retransformed into a Man (from Dante's "Divine Comedy")

Donati Transformed into a Serpent; Francesco de'Cavalcanti Retransformed into a Man (from Dante's "Divine Comedy")

William Blake, 1824-1827

Watercolor, black ink, graphite, and black chalk on off-white antique laid paper

19th centuryBritish