c. 1790
The drawing was previously folded into sixteenths, although currently the folds dividing it into eighths are more visible. On the verso, two of the eight sections are covered in brown wash strokes, presumably offloading the brush or testing (by David or someone else).
66.2 x 99 cm (26 1/16 x 39 in.)
Given by the artist to his student José de Madrazo y Agudo; his son Federigo de Madrazo y Kuntz; his son Mariano Fortuny y Marsal; his son Mariano Fortuny y Madrazo; acquired through Martin Birnbaum by Grenville L. Winthrop, october 1934 (Fr. 25,000); his bequest to the Fogg Art Museum, 1943.
Black chalk on cream antique laid paper
18th centuryFrenchRed chalk on off-white antique laid paper; verso: graphite
18th centuryFrenchRed chalk on cream antique laid paper, laid down on a decorated mount, framing lines in black ink
18th centuryFrenchColored chalk on tan paper
18th centuryFrenchPastel on paper, wrapped around and adhered to canvas
18th centuryFrenchGraphite on cream antique laid paper; verso: graphite and watercolor
18th centuryFrenchRed chalk on faded blue antique laid paper, laid down on cream antique laid paper, partially covered with blue papers
18th centuryFrenchRed chalk counterproof on off-white antique laid paper, framing lines in black ink, adhered to cream antique laid paper, adhered to blue antique laid paper
18th centuryFrenchBlack chalk and touches of white chalk on light tan antique laid paper, framing lines in black chalk
18th centuryFrenchBrush and pale and dark gray wash over black chalk on white laid paper. Verso: brush and brown and pale and dark gray wash over black chalk
18th-19th centuryFrenchWatercolor and black ink over traces of graphite on off-white antique laid paper, adhered to cream antique laid paper
18th centuryFrench