c. 1790
The drawing was previously folded into sixteenths, although currently the folds dividing it into eighths are more visible. On the verso, two of the eight sections are covered in brown wash strokes, presumably offloading the brush or testing (by David or someone else).
66.2 x 99 cm (26 1/16 x 39 in.)
Given by the artist to his student José de Madrazo y Agudo; his son Federigo de Madrazo y Kuntz; his son Mariano Fortuny y Marsal; his son Mariano Fortuny y Madrazo; acquired through Martin Birnbaum by Grenville L. Winthrop, october 1934 (Fr. 25,000); his bequest to the Fogg Art Museum, 1943.
Brown ink on cream antique laid paper, framing lines in black ink
18th-19th centuryFrenchBlack and red chalk, traces of graphite, on two joined sheets of off-white antique laid paper
18th-19th centuryFrenchModern wove paper printed in black ink, annotated in brown and black ink and graphite, attached to a sheet of antique laid paper
18th centuryFrenchBlack and white chalk on discolored blue antique laid paper
18th centuryFrenchBrown and black ink, gray and brown wash, over traces of black chalk, on off-white antique laid paper, laid down
18th centuryFrenchgraphite and brown wash on cream modern laid paper, laid down to blue antique laid paper
18th centuryFrenchBlack chalk on off-white antique laid paper
18th centuryFrenchBlack ink, brown wash, over traces of black chalk, on cream antique laid paper, framing lines in brown and black ink and yellow wash, adhered to blue wove paper
18th-19th centuryFrenchBlack ink and brown wash over black chalk on cream antique laid paper
18th centuryFrenchWatercolor and graphite on cream antique laid paper
18th-19th centuryFrenchBlack chalk on cream antique laid paper; verso: black chalk and gray wash
18th centuryFrenchRed and black chalk counterproof on off-white antique laid paper
18th centuryFrench