c. 1790
The drawing was previously folded into sixteenths, although currently the folds dividing it into eighths are more visible. On the verso, two of the eight sections are covered in brown wash strokes, presumably offloading the brush or testing (by David or someone else).
66.2 x 99 cm (26 1/16 x 39 in.)
Given by the artist to his student José de Madrazo y Agudo; his son Federigo de Madrazo y Kuntz; his son Mariano Fortuny y Marsal; his son Mariano Fortuny y Madrazo; acquired through Martin Birnbaum by Grenville L. Winthrop, october 1934 (Fr. 25,000); his bequest to the Fogg Art Museum, 1943.
Black ink and brown wash over black chalk on cream antique laid paper
18th centuryFrenchRed chalk and graphite with guidelines in red chalk and graphite on cream antique laid paper, laid down on cream antique laid paper with discolored blue antique laid paper adhered to face
18th centuryFrenchRed chalk on cream antique laid paper, laid down on cream wove paper
18th centuryFrenchRed chalk on cream paper
18th centuryFrenchRed, black and white chalk on tan antique laid paper, framing lines in black ink
18th centuryFrenchRed chalk and graphite with guidelines in red chalk and graphite on cream antique laid paper, laid down on cream antique laid paper with blue antique laid paper border adhered to face
18th centuryFrenchRed chalk on cream antique laid paper, laid down on cream antique laid paper with blue paper strips adhered to face
18th centuryFrenchRed, black, and white chalk on blue antique laid paper, laid down on four sheets of cream antique laid paper, with blue wove paper strips adhered to face
17th-18th centuryFrenchWatercolor on white antique laid paper
18th-19th centuryFrenchBlack crayon and gray wash on cream antique laid paper, mounted on cream laid paper
18th centuryFrenchBlack and white chalk on blue antique laid paper, adhered to a decorated mount, extended at top
18th centuryFrench