c. 1790
The drawing was previously folded into sixteenths, although currently the folds dividing it into eighths are more visible. On the verso, two of the eight sections are covered in brown wash strokes, presumably offloading the brush or testing (by David or someone else).
66.2 x 99 cm (26 1/16 x 39 in.)
Given by the artist to his student José de Madrazo y Agudo; his son Federigo de Madrazo y Kuntz; his son Mariano Fortuny y Marsal; his son Mariano Fortuny y Madrazo; acquired through Martin Birnbaum by Grenville L. Winthrop, october 1934 (Fr. 25,000); his bequest to the Fogg Art Museum, 1943.
Red chalk on cream antique laid paper, laid down on a decorated mount, framing lines in brown ink
18th centuryFrenchBrown ink and brown and gray-brown wash on cream modern laid paper; verso: black chalk and black ink
18th centuryFrenchBrown ink, brown wash, black chalk, and touches of white gouache on toned cream antique laid paper laid down on cream antique laid paper, framing lines in black ink
18th centuryFrenchWatercolor and black ink over traces of graphite on off-white antique laid paper, adhered to cream antique laid paper
18th centuryFrenchBrown chalk on cream laid paper
18th-19th centuryFrenchColored chalks on cream antique laid paper
18th centuryFrenchWatercolor and black ink over traces of graphite on off-white antique laid paper, adhered to cream antique laid paper
18th centuryFrenchGraphite and gray-brown wash on off-white antique laid paper
18th-19th centuryFrenchBlack, red and white chalk on light tan antique laid paper, laid down on off-white antique laid paper
18th centuryFrenchBlack and red chalk, and watercolor on cream antique laid paper, laid down, framing lines in black ink
18th-19th centuryFrenchVerso: watercolor and black ink over traces of graphite on cream antique laid paper
18th centuryFrench