Tools Services Portfolio About Contact

Tools Services Portfolio About Contact

Made with by Lê Trực 0983470827 © 2025 KenAI.vn

Russian Flagship Destroyed by Japanese Torpedo | Harvard Art Museums | KenAI

Harvard Art Museums
Artworks
Russian Flagship Destroyed by Japanese Torpedo

Russian Flagship Destroyed by Japanese Torpedo

PrintsJapanese19th century

Russian Flagship Destroyed by Japanese Torpedo

Meiji period,

Artists

Yasuda HanpoArtist

Classification

Prints

Medium

Center panel from an ukiyo-e woodblock-printed vertical "ōban" triptych; ink and color on paper

Culture

Japanese

Period

Meiji era, 1868-1912

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

paper: H. 25.4 x W. 37.7 cm (10 x 14 13/16 in.)

Related Artworks

THIRTY-SIX VIEWS OF FUJI, "MUSASHI HOMMOKU NO HANA "

THIRTY-SIX VIEWS OF FUJI, "MUSASHI HOMMOKU NO HANA "

Utagawa Hiroshige 歌川広重, Edo period, 1858

Ink on paper

19th centuryJapanese

Puppeteer Holding a Puppet on a Go Board

Puppeteer Holding a Puppet on a Go Board

Katsushika Hokusai 葛飾北斎, 1820s

Woodblock print (surimono); ink, color, and metallic pigments on paper

19th centuryJapanese

Stream Crossing at Night

Stream Crossing at Night

Utagawa Toyokuni 歌川豊国, 18th-19th century

Left panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

18th-19th centuryJapanese

Painting and Offering, from the series Enoshima Kiko

Painting and Offering, from the series Enoshima Kiko

Totoya Hokkei 魚屋北渓, Late Edo period, 1833

Ukiyo-e woodblock-printed "surimono": ink, colors and metallic pigments on paper

19th centuryJapanese

View of Tokyo(?)

View of Tokyo(?)

Utagawa Kuniteru, Early Meiji period, late 19th century

Second sheet from right from a woodblock-printed "ōban" heptaptych; ink and color on paper

19th centuryJapanese

Plum Garden, Kamagata (Kamata no umezono), Number 27 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Plum Garden, Kamagata (Kamata no umezono), Number 27 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Late Edo period, dated 1857 (2nd month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Tamagawa River in Hagi (Hagi no Tamagawa), from the series Six Tama Rivers (Roku Tamagawa no uchi)

Tamagawa River in Hagi (Hagi no Tamagawa), from the series Six Tama Rivers (Roku Tamagawa no uchi)

Kikugawa Eizan 菊川英山, Late Edo period, circa early to mid 19th century

Ukiyo-e woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Fan (Kyō ōgi) from the series Sights and Specialties of Yamashiro Province (Yamashiro meisho meibutsu)

Fan (Kyō ōgi) from the series Sights and Specialties of Yamashiro Province (Yamashiro meisho meibutsu)

Keisai Eisen 渓斎英泉, 1818-1830

Woodblock print (surimono); ink, color, and metallic pigment on paper

19th centuryJapanese

Kinryūzan Temple, Asakusa (Asakusa Kinryūzan), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Kinryūzan Temple, Asakusa (Asakusa Kinryūzan), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, 1856 (Ansei 3), 7th month

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

THE SIX POETS REPRESENTED IN FLOWERS OF SUMMER AND AUTUMN

THE SIX POETS REPRESENTED IN FLOWERS OF SUMMER AND AUTUMN

Utagawa Hiroshige 歌川広重, 19th century

Ink on paper

19th centuryJapanese

Rules for the Department of Young Ladies (Shōgaku Joreishiki zukai)

Rules for the Department of Young Ladies (Shōgaku Joreishiki zukai)

Adachi Ginkō 安達吟光, Meiji period, circa late 19th century

Ukiyo-e woodblock print: ink and color on paper

19th centuryJapanese

Pines and Waves at the Dragon Cavern (Ryūdō shōtō), from the series Eight Views of the Ryūkyū Islands (Ryūkyū hakkei)

Pines and Waves at the Dragon Cavern (Ryūdō shōtō), from the series Eight Views of the Ryūkyū Islands (Ryūkyū hakkei)

Katsushika Hokusai 葛飾北斎, about 1832

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese