17th century
actual: 25.7 x 13.1 cm (10 1/8 x 5 3/16 in.)
Meta and Paul J. Sachs, Cambridge, Massachusetts (L. 2091, without his mark), long-term loan; to Fogg Art Museum, 1947, bequest; to Fogg Art Museum, 1965.
Black chalk on cream antique laid paper, mounted overall
17th centuryFlemishBlack chalk on off-white antique laid paper
16th-17th centuryFlemishTransparent and opaque watercolor and brown ink over graphite on cream paper
17th centuryFlemishRed chalk and brown ink on off-white antique laid paper, upper edge repaired with irregular strip; verso: rubbed with red chalk [presumably for transfer]
16th-17th centuryFlemishBrown ink and gray and blue wash over black chalk on off-white antique laid paper, partial framing line in graphite laid down
16th-17th centuryFlemishBlue, green, pink and brown washes and brown ink on cream antique laid paper, framing line in brown ink
17th centuryFlemishRed, black, white and yellow chalk, with the red chalk moistened with water or oil, white and red opaque watercolor on oatmeal paper, framing line in black ink, laid down
17th centuryFlemishBlack and white chalk and black wash on light tan antique laid paper, mounted overall
17th centuryFlemishBrown ink, blue wash, white opaque watercolor, some oxidized in angels, over graphite, incised almost overall, on off-white antique laid paper, mounted down; two angels at lower right cut out, the rest of the drawing laid down, and piece readhered 7 mm lower with brown ink and blue wash fill
17th centuryFlemishBlack ink, gray wash, graphite and white opaque watercolor on two pieces of antique laid paper, joined vertically and prepared with ochre wash, framing line in black ink
17th centuryFlemishBrown ink, brown wash and white opaque watercolor over black chalk on white antique laid paper
17th-18th centuryFlemishBrown oil counterproof on off-white antique laid paper
17th centuryFlemish