17th century
25 × 19.4 cm (9 13/16 × 7 5/8 in.)
Carl Wiesböck, Vienna (L. 2576, with his mark). Evelyn Reynold[s?], sold; to [P. & D. Colnaghi & Co. Ltd., London, 19 February 1936, (as Flemish School, Study of Trees)], sold; to J. Winslow Ames, Springfield, MO (L. 2602b, with his mark). Austin A. Mitchell, New York, New York, bequest; to Fogg Art Museum, 1969. NOTE: Colnaghi information provided by Steven Ongpin from Colnaghi stock books, 20 December 2001.
Transparent and opaque watercolor on cream antique laid paper, partial framing line in black ink and black chalk
17th-18th centuryDutchBlack and white chalk on grey-blue antique laid paper
17th centuryDutchBrown ink [?] on parchment
17th centuryDutchBrown ink, brown wash, black chalk on oiled antique laid paper, incised, framing line in black ink along right, top and bottom edges
17th centuryDutchBrown ink and gray wash on beige antique laid paper, framing line in brown ink; verso: black ink and gray wash on beige antique laid paper partially toned with brown wash, framing line in graphite
17th centuryDutchRed chalk on off-white antique laid paper, framing line in red chalk and framing line in brown ink
17th centuryDutchBrown ink and brown and gray wash over black chalk and graphite on cream antique laid paper, lined and drum mounted
17th centuryDutchOpaque and transparent watercolor over graphite on off-white antique laid paper; double framing line in black ink
17th centuryDutchBlack chalk and gray wash on white antique laid paper, remains of a framing line in brown ink, mounted on antique laid paper
17th centuryDutchBrown ink and blue wash on cream antique laid paper, framing line in brown ink
16th-17th centuryDutchBrown ink, transparent and opaque watercolor, and white opaque watercolor on off-white antique laid paper, mounted; framing line in brown ink
17th centuryDutchBrown ink, brown wash, black chalk, white opaque watercolor, and scratchwork on off-white antique laid paper, framing line in brown ink
17th centuryDutch