17th century
The foreground is dominated by seated women and cavorting putti, presumably representing various arts and virtues. At the extreme left, a woman with bare breasts (possibly Charity) holds a child on her lap, while next to her another figure (possibly Fidelity) restrains a dog. A pair of putti, one holding a slate (possibly Poetry), are just to the left of center, while beyond them two others hold a lute (possibly Music). Closing the frieze at the right is a seated woman with a sheet of paper and compasses at ther side (possibly Architecture). In the background, a man beneath a baldacchino crowns a kneeling figure. Four figures attend them on the dais, while a man and two conversing women observe the scene from the right.
12 x 23.2 cm (4 3/4 x 9 1/8 in.)
Arnold Rosner, Tel Aviv, sold; to Fogg Art Museum, 1967, inv. no. 1967.4
Black ink and gray and brown wash over traces of black chalk on cream antique laid paper, framing lines in black chalk and graphite
17th centuryFrenchBrown and black ink, gray wash, black chalk and white gouache
17th centuryFrenchColored chalks on cream antique laid paper, laid down on cream wove paper, with cream antique laid paper strips adhered to face
16th-17th centuryFrenchGraphite on cream antique laid paper
17th-18th centuryFrenchBlack and white chalk on tan antique laid paper, laid down on a decorated mount
17th centuryFrenchBrush and gray wash and graphite on cream antique laid paper, framing lines in brown ink
17th centuryFrenchBlack ink and gray and brown wash on cream antique laid paper, framing lines in black ink
17th centuryFrenchBrown and gray ink, gray wash, and white gouache over traces of black chalk on cream antique laid paper; verso: black chalk
17th centuryFrenchGraphite on cream antique laid paper
17th centuryFrenchBlack ink and gray and brown wash with traces of black chalk on cream antique laid paper, framing lines in black chalk and graphite
17th centuryFrenchBlack ink, two tones of gray wash, and traces of white gouache on off-white antique laid paper, framing lines in brown ink; verso: black ink and gray wash
17th-18th centuryFrenchBrown ink, brown wash, and white gouache over traces of graphite on dark cream antique laid paper prepared with a reddish brown wash, partial framing lines in brown ink, laid down on off-white card
17th centuryFrench