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Branch | Harvard Art Museums | KenAI

Harvard Art Museums
Artworks
Branch

Branch

DrawingsBritish19th century

Branch

19th century

Artists

Unidentified ArtistArtist

Classification

Drawings

Medium

Watercolor on cream wove paper

Culture

British

Century

19th century

Division

European and American Art

Department

Department of Drawings

Dimensions

19.5 x 12.7 cm (7 11/16 x 5 in.)

Related Artworks

Salome on Settle (Maîtresse d'Orchèstre)

Salome on Settle (Maîtresse d'Orchèstre)

Aubrey Vincent Beardsley, 1893

Black ink and graphite on white wove paper

19th centuryBritish

Scene in Bodrum (Turkey)

Scene in Bodrum (Turkey)

Richard Dadd, 1858

Watercolor and white gouache on cream wove paper, darkened to tan

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Faslyn Chapel

Thomas Goodwin Hatchard, 1835

Brown ink with brown wash over graphite on cream paper, darkened

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Study for "Typhaon, Echidna, and Geryon" (Hesiod, Theogony)

Study for "Typhaon, Echidna, and Geryon" (Hesiod, Theogony)

John Flaxman, 18th-19th century

Gray ink and graphite on cream wove paper

18th-19th centuryBritish

Pont Aberglaslyn, Vale of Festiniog, North Wales

Pont Aberglaslyn, Vale of Festiniog, North Wales

Joseph Mallord William Turner, 18th-19th century

Graphite and white chalk on off-white wove paper prepared with gray wash

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The Daughters of Danaus Prostrating Themselves before the Gods (Aeschylus)

The Daughters of Danaus Prostrating Themselves before the Gods (Aeschylus)

John Flaxman, 18th-19th century

Brown ink on blue antique laid paper

18th-19th centuryBritish

Drapery Study with Leg and Sword; verso: Study of Drapery in a Box

Drapery Study with Leg and Sword; verso: Study of Drapery in a Box

Edward Burne-Jones, 19th century

Graphite on heavy cream wove paper

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Study for "The Samaritan at the Inn Door"

Study for "The Samaritan at the Inn Door"

Charles Haslewood Shannon, 19th-20th century

Brown and black ink and colored chalks on cream paper

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The Angel Michael Binding Satan ("He Cast him into the Bottomless Pit, and Shut him up")

The Angel Michael Binding Satan ("He Cast him into the Bottomless Pit, and Shut him up")

William Blake, c. 1805

Watercolor, black ink, and graphite on off-white wove paper

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Sketchbook

Edward Burne-Jones, c. 1880-1886

Sketchbook with tan cloth covers

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Wood Sprite; verso: Study of a Leg, for "Hill Fairies"

Wood Sprite; verso: Study of a Leg, for "Hill Fairies"

Edward Burne-Jones, 19th century

Black crayon on heavy cream wove paper; verso: graphite

19th centuryBritish

Brighton Beach, with a Horse Turning a Capstan

Brighton Beach, with a Horse Turning a Capstan

John Constable, 1824

Transparent watercolor and graphite on cream wove paper adhered to a decorated album page

19th centuryBritish