Study for a Frieze with Siren and Acanthus

Brown ink with brown wash on cream antique laid paper

Brown ink and brown wash, strengthened with black ink, on cream antique laid paper, laid down overall to antique laid paper, itself laid down overall to twentieth-century white card

Brown ink and brown wash on antique laid paper, squared in black chalk, framing line along bottom edge in brown ink

Brown ink and brown wash over black chalk on cream antique laid paper, squared in black chalk, laid down on white wove paper, framing line in gold

Brown ink and black chalk on two sheets of dark cream antique laid paper, each sheet laid down on multi-laminate antique laid paper

Brown ink, brown wash, and white gouache, later retouched with zinc white, on blue antique laid paper with lightly incised lines

Brown ink and brown wash on tan antique laid paper, framing line in dark brown ink, laid down to antique laid paper on twentieth century mount

Red chalk heightened with white gouache on dark cream antique laid paper, laid down overall to antique laid paper decorated mount

Black chalk, with some incising, on cream antique laid paper, laid down overall on cream antique laid paper

Leadpoint on cream antique laid paper, framing lines in black chalk; verso: leadpoint and brown ink, squared with stylus

Brown ink, brown wash, black chalk and white gouache on cream antique paper prepared with a brown wash laid down overall to cream antique laid paper

Brown ink on cream antique laid paper laid down on mount (a warmer second brown ink used to strengthen several figures in the major figural group)