1863
89.5 x 36.7 cm (35 1/4 x 14 7/16 in.)
[Possibly artist’s executor’s sale at T. G. Wharton, Auctioneers and Estate Agents, London, May 29-31, 1894, either lot 243 or 253, sold]; to possibly either Harold Rathbone or Westminster Technical Institute. [Sotheby’s Belgravia, London, March 18, 1980, lot 52, sold]; to Warren R. Stone (1980-1981), gift; to Fogg Art Museum, 1981. Notes: 1. In the 2010 Ford Madox Brown catalogue raisonné, Mary Bennett lists two lots from the T.G. Wharton, Auctioneers sale May 29-31, 1894 which may have included the drawing: lot 243 “St. John and St. Peter” and lot 253 “Charlemagne and St. John.” Mary Bennett is unable to verify with certainty, however, that this piece was part of either lot. If the design was sold as lot 243, it was purchased by Harold Rathbone; if it was sold as lot 253 it was purchased by Westminster Technical Institute. 2. In the same catalogue raisonné Mary Bennett further notes that in the FMBP copy of the T.G. Wharton Auctioneers sale catalogue the St. John listing for lot 253 is deleted.
Metalpoint on prepared paper
19th centuryBritishGraphite and wash
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19th centuryBritishGraphite on tan board
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19th centuryBritishGraphite, red, black, and white chalk, and gray wash on brown wove paper
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18th-19th centuryBritishGraphite on heavy cream wove paper
19th centuryBritishBrown ink, graphite, watercolor, and white gouache on cream antique laid paper
18th-19th centuryBritishTransparent and opaque watercolor, graphite, and gum arabic addditions with scraping and scratching out on cream paper
19th centuryBritishColored chalk and graphite on brown paper
19th centuryBritish