1863
89.5 x 36.7 cm (35 1/4 x 14 7/16 in.)
[Possibly artist’s executor’s sale at T. G. Wharton, Auctioneers and Estate Agents, London, May 29-31, 1894, either lot 243 or 253, sold]; to possibly either Harold Rathbone or Westminster Technical Institute. [Sotheby’s Belgravia, London, March 18, 1980, lot 52, sold]; to Warren R. Stone (1980-1981), gift; to Fogg Art Museum, 1981. Notes: 1. In the 2010 Ford Madox Brown catalogue raisonné, Mary Bennett lists two lots from the T.G. Wharton, Auctioneers sale May 29-31, 1894 which may have included the drawing: lot 243 “St. John and St. Peter” and lot 253 “Charlemagne and St. John.” Mary Bennett is unable to verify with certainty, however, that this piece was part of either lot. If the design was sold as lot 243, it was purchased by Harold Rathbone; if it was sold as lot 253 it was purchased by Westminster Technical Institute. 2. In the same catalogue raisonné Mary Bennett further notes that in the FMBP copy of the T.G. Wharton Auctioneers sale catalogue the St. John listing for lot 253 is deleted.
Graphite on cream wove paper
19th centuryBritishGraphite, black ink, and gray wash on cream wove paper, darkened
19th centuryBritishBlack chalk on cream modern laid paper
19th centuryBritishBlack, white and colored chalks on thin tan wove paper
19th centuryBritishMetalpoint on prepared paper
19th centuryBritishBlack, blue, and red crayon, graphite, and white opaque watercolor on cream wove paper
19th centuryBritishGraphite
19th centuryBritishWatercolor
19th centuryBritishGraphite on cream modern laid paper
19th centuryBritishGraphite on cream wove paper, darkened
19th centuryBritishWatercolor, gouache, and colored chalk on gray paper
19th-20th centuryBritishWatercolor and white gouache on off-white wove paper
19th centuryBritish