c. 1640
The kneeling woman is shown from the rear in a three-quarter view to the left, represented from below. The post of the figure—head upturned and left arm extended—convey an attitude of rapt attention. The sole of the left foot is exposed beneath voluminous draperies. There is a monumentality of this single figure, heightened by the foreshortening and pyramidal form.
25.2 x 37.4 cm (9 15/16 x 14 3/4 in.)
Robert M. Light and Co., Santa Barbara, sold; to Germain Seligman, New York (his mark, L.3863, lower right, black ink, as of 1978); Fogg Art Museum, 1984, inv. no. 1984.603
Gray wash and black chalk on cream antique laid paper, framing lines in red chalk, laid down
17th centuryFrenchRed chalk counterproof on cream antique laid paper, laid down on cream antique laid paper with blue antique laid paper strips adhered to face
17th centuryFrenchBlack ink and gray and brown wash with traces of black chalk on cream antique laid paper, framing lines in black chalk and graphite
17th centuryFrenchRed chalk on cream antique laid paper
17th centuryFrenchBlack and white chalk with touches of red chalk on tan antique laid paper, adhered to blue wove paper
17th centuryFrenchBlack and brown ink, gray wash, over black chalk on cream antique laid paper, incised
17th-18th centuryFrenchGraphite on cream antique laid paper
17th centuryFrenchBrown ink and brown wash with touches of black chalk and graphite on cream antique laid paper
17th centuryFrenchBlack, red, and white chalk on blue antique laid paper
17th-18th centuryFrenchBrown ink and brown wash and graphite with touches of red chalk on off-white antique laid paper; verso: brown ink and red chalk
16th-17th centuryFrenchBrown ink and brown wash over red chalk on light-tan antique laid paper, squared in black chalk, partial framing line in brown ink, laid down on a decorative mount
17th centuryFrenchRed chalk on cream antique laid paper
17th centuryFrench