1654
19.4 x 27 cm (7 5/8 x 10 5/8 in.)
Possibly Queen Christina of Sweden (?-1689), by descent; to Cardinal Decio Azzolini (by 1689), by descent; to Marchese Pompeo Azzolini. Prince Livio Odescalchi, Rome (?-1713), by descent; to Odescalchi Family (1713-1960), sold; [to Georges Wildenstein (1960-1968), sold]; to Norton Simon, Los Angeles and Pasadena, CA (1968-1980), sold; [to Thomas Agnew & Sons Ltd., London (1980-1994), sold]; [through Sotheby’s, New York, January 12, 1994, lot 57]; [to Vermeer Associates Limited, New York, NY (1994-1996), sold]; to Harvard University Art Museums, 1996. Notes: 1. In his 1971 publication “The Claude Lorrain Album in the Norton Simon, Inc. Museum of Art” Marcel Roethlisberger claims that the “Wildenstein-Norton” album the drawing belonged to was dismantled in 1970 (see p.5). It is certain that the album had been dismantled by 1973, when the Fogg Art Museum received sixty individually framed Claude Lorrain drawings to be exhibited in the traveling exhibition “The Claude Lorrain Album in The Norton Simon Inc. Museum of Art.” Hence the above listed provenance refers to the entire album until circa 1970 when it was dismantled and the drawing was sold separately. 2. The private collector Norton Simon purchased the drawing in 1968. In 1974 Norton Simon assumed the leadership of the financially troubled Pasadena Museum of Art. After integrating his private collection into the museum’s collection the museum was renamed the Norton Simon Museum of Art in 1975. The drawing may have been part of the museum's collection before being sold in 1980.
Colored chalks with touches of pastel on tan antique laid paper, adhered to cream antique laid paper, laid down on gray wove paper
17th centuryFrenchBrown ink, brown wash, white gouache, and black chalk, prepared with brown wash on cream antique laid paper, framing lines in brown ink, laid down on Japan paper
17th centuryFrenchBlack chalk and gray wash on cream antique laid paper
17th centuryFrenchBrown and black ink, brown and gray wash, black and red chalk, and off-white oil paint on cream antique laid paper, incised for transfer, framing lines in brown ink, laid down on cream antique laid paper (remnant of a register of names), adhered to a decorated mount
17th-18th centuryFrenchColored chalks on cream antique laid paper, laid down on a decorated mount
17th centuryFrenchBlack chalk, gray wash, touches of graphite on cream antique laid paper
17th centuryFrenchBlack chalk and gray wash on cream antique laid paper
17th centuryFrenchBlack ink and gray and brown wash with traces of black chalk and graphite on cream antique laid paper, framing lines in black chalk and graphite
16th-17th centuryFrenchGraphite with gold paint and white gouache over red chalk on parchment, framing lines in gold paint and graphite, laid down on off-white card, laid down on a decorated mount
17th centuryFrenchColored chalks on cream antique laid paper, laid down on cream wove paper, with cream antique laid paper strips adhered to face
16th-17th centuryFrenchRed chalk with touches of graphite on cream antique laid paper
17th centuryFrenchBlack and white chalk on gray antique laid paper
17th centuryFrench