1654
19.4 x 27 cm (7 5/8 x 10 5/8 in.)
Possibly Queen Christina of Sweden (?-1689), by descent; to Cardinal Decio Azzolini (by 1689), by descent; to Marchese Pompeo Azzolini. Prince Livio Odescalchi, Rome (?-1713), by descent; to Odescalchi Family (1713-1960), sold; [to Georges Wildenstein (1960-1968), sold]; to Norton Simon, Los Angeles and Pasadena, CA (1968-1980), sold; [to Thomas Agnew & Sons Ltd., London (1980-1994), sold]; [through Sotheby’s, New York, January 12, 1994, lot 57]; [to Vermeer Associates Limited, New York, NY (1994-1996), sold]; to Harvard University Art Museums, 1996. Notes: 1. In his 1971 publication “The Claude Lorrain Album in the Norton Simon, Inc. Museum of Art” Marcel Roethlisberger claims that the “Wildenstein-Norton” album the drawing belonged to was dismantled in 1970 (see p.5). It is certain that the album had been dismantled by 1973, when the Fogg Art Museum received sixty individually framed Claude Lorrain drawings to be exhibited in the traveling exhibition “The Claude Lorrain Album in The Norton Simon Inc. Museum of Art.” Hence the above listed provenance refers to the entire album until circa 1970 when it was dismantled and the drawing was sold separately. 2. The private collector Norton Simon purchased the drawing in 1968. In 1974 Norton Simon assumed the leadership of the financially troubled Pasadena Museum of Art. After integrating his private collection into the museum’s collection the museum was renamed the Norton Simon Museum of Art in 1975. The drawing may have been part of the museum's collection before being sold in 1980.
Black and white chalk with touches of red chalk on tan antique laid paper, adhered to blue wove paper
17th centuryFrenchBlack and red chalk with traces of white chalk on tan antique laid paper, framing lines in black ink and black chalk, laid down on cream antique laid paper
17th-18th centuryFrenchGraphite on cream antique laid paper
17th centuryFrenchGraphite on cream antique laid paper
17th-18th centuryFrenchBlack chalk and brown wash on cream antique laid paper, laid down on a decorated mount
17th centuryFrenchBlack ink, dark gray wash, and white gouache on off-white antique laid paper prepared with light gray wash, laid down on off-white antique laid paper covered with blue wove paper
17th centuryFrenchBlack ink and gray and brown wash with traces of black chalk on cream antique laid paper, framing lines in black chalk and graphite
17th centuryFrenchBlack and white chalk on light-tan antique laid paper, framing lines in brown ink, bottom left corner and right edge made-up, laid down on a remnant of a Mariette mount
17th centuryFrenchGraphite on cream antique laid paper
17th centuryFrenchBlack and white chalk on gray antique laid paper
17th centuryFrenchBlack and white chalk on tan antique laid paper, framing lines in graphite, laid down on cream antique laid paper, laid down on cream card, extended at top and bottom
17th centuryFrenchRed and black chalk on light tan antique laid paper
17th-18th centuryFrench