1654
19.4 x 27 cm (7 5/8 x 10 5/8 in.)
Possibly Queen Christina of Sweden (?-1689), by descent; to Cardinal Decio Azzolini (by 1689), by descent; to Marchese Pompeo Azzolini. Prince Livio Odescalchi, Rome (?-1713), by descent; to Odescalchi Family (1713-1960), sold; [to Georges Wildenstein (1960-1968), sold]; to Norton Simon, Los Angeles and Pasadena, CA (1968-1980), sold; [to Thomas Agnew & Sons Ltd., London (1980-1994), sold]; [through Sotheby’s, New York, January 12, 1994, lot 57]; [to Vermeer Associates Limited, New York, NY (1994-1996), sold]; to Harvard University Art Museums, 1996. Notes: 1. In his 1971 publication “The Claude Lorrain Album in the Norton Simon, Inc. Museum of Art” Marcel Roethlisberger claims that the “Wildenstein-Norton” album the drawing belonged to was dismantled in 1970 (see p.5). It is certain that the album had been dismantled by 1973, when the Fogg Art Museum received sixty individually framed Claude Lorrain drawings to be exhibited in the traveling exhibition “The Claude Lorrain Album in The Norton Simon Inc. Museum of Art.” Hence the above listed provenance refers to the entire album until circa 1970 when it was dismantled and the drawing was sold separately. 2. The private collector Norton Simon purchased the drawing in 1968. In 1974 Norton Simon assumed the leadership of the financially troubled Pasadena Museum of Art. After integrating his private collection into the museum’s collection the museum was renamed the Norton Simon Museum of Art in 1975. The drawing may have been part of the museum's collection before being sold in 1980.
Red chalk on off-white antique laid paper, adhered to decorated blue laid paper; verso: red chalk offset
17th centuryFrenchRed chalk on off-white antique laid paper; verso: red chalk, offset
17th centuryFrenchBrown wash, graphite, and white gouache over black chalk on toned tan antique laid paper, laid down on light tan antique laid paper
17th centuryFrenchRed chalk on cream antique laid paper
17th centuryFrenchBlack and white chalk, and black ink, with touches of white gouache, on blue antique laid paper, framing lines in black chalk, squared in black chalk
17th-18th centuryFrenchBlack and white chalk on light tan antique laid paper
17th centuryFrenchRed chalk on cream antique laid paper; verso: red chalk and graphite
17th-18th centuryFrenchBlack chalk on cream antique laid paper
17th centuryFrenchGraphite on cream antique laid paper
17th-18th centuryFrenchBlack and white chalk on light tan antique laid paper, upper left and right corners made up
17th centuryFrenchBlack chalk, brown ink, and gray wash on light-tan antique laid paper, framing lines in black chalk; verso: black chalk
17th centuryFrenchBrown ink, brown wash, watercolor, and white gouache over graphite and black chalk on cream antique laid paper prepared with white gouache, adhered to canvas
17th-18th centuryFrench, Lorrainese