c. 1659
18.8 x 29.9 cm (7 3/8 x 11 3/4 in.) mount: 24.3 x 35.3 cm (9 9/16 x 13 7/8 in.)
Henry Constantine Jennings, London (L. 2771, without his mark), sold; [Christie's, London, 15 April 1778, lot 29]; to James Peachey, 1st Baron Selsey, or John Peachey, 2nd Baron Selsey, by descent; to his heirs, sold; [Sotheby’s, London, 20-28 June 1872, 9th day’s sale, under lot 2642] to; [Jane Noseda, London]. Henry Oppenheimer, London, sold; [Christie’s, London, 10, 13-14 July 1936, lot 272A] to; [Thomas Agnew and Sons, London]. Carl Robert Rudolf, London, 1956 (L. 2811b, mount, lower right). [1] A. Simon, Hoe Farm, Surrey. Maida and George Abrams, Boston, 1981 (L. 3306, verso, lower right); The Maida and George Abrams Collection, Gift of George Abrams in memory of Roger Sonnabend, Harvard Business School Class of 1949, 2011.514. [1] According to the Oppenheimer sale catalogue, our drawing was from the “(?) Philipe Collection,” which Hans Ulrich Beck interpreted to be T. Philipe - presumably Thomas Philipe of London, whose sales occurred in the early 19th century. However, the verso inscriptions demonstrate that the first or second Baron Selsey purchased the drawing at Jennings’s sale in 1778. It remained in the family until 1872, excluding Philipe’s ownership. Furthermore, William Robinson (Amsterdam et. al 1991, cat. no. 34) and Beck previously published this drawing with provenance including Alfred Brod in 1963. Robinson identified our drawing with cat. no. 57 in Brod’s catalogue of that year; however, the Brod drawing is a different drawing by Molijn which is signed and dated 1659.
Brown ink and gray wash with white opaque watercolor on brown toned paper
17th centuryDutchBrown ink on cream antique laid paper, framing line in brown ink
17th centuryDutchBlack chalk on parchment, framing line in brown ink
17th centuryDutchBrown ink, brown wash, and white opaque watercolor over black chalk on cream antique laid paper, mounted on brown paper
17th centuryDutchBrown ink and gray wash over black chalk, with later additions of dark gray wash and white and yellow opaque watercolor, on off-white antique laid paper; verso: brown ink and gray wash over black chalk
17th centuryDutchBrown ink and brown wash over black chalk and graphite with touches of white opaque watercolor on cream antique laid paper
17th centuryDutchBlack chalk and white opaque watercolor on blue antique laid paper, faded, framing line in brown ink
17th centuryDutchGraphite on parchment, autograph framing line in graphite
17th centuryDutchBrown ink and brown wash over graphite, incised, on cream antique laid paper, framing line in brown ink
17th centuryDutchBlack chalk on off-white antique laid paper, framing line in dark brown ink
17th centuryDutchBrown ink, brown wash, red chalk and traces of black chalk on off-white antique laid paper, framing line in black ink and partial framing line in red chalk
17th centuryDutchBrown wash over black chalk on cream antique laid paper, framing line in brown ink
17th centuryDutch