3rd-2nd century BCE
Mostly complete figurine; missing part of base and both feet. Large crack at left knee. Standing young woman, draped. Her hair is drawn back in a complicated hairdo, similar to “melon” style: separated into four sections, twisted, and brought back into a small bun at the nape. Each section is crowned by a smaller bun or ornament (likely ivy berries), with separate locks of curly hair framing the face. Small head, cocked slightly to the left, while looking right. Regular features. Oval face with a small forehead. Small eyes with both lids rendered in relief; small, straight nose; small, closed mouth. Short chin meets the neck at a 90-degree angle. She wears a long chiton and a closely wrapped himation (or mantle), that forms a sling for her left arm. Right arm akimbo. Right leg engaged, with left knee bent. In combination with the angle of the head, the pose suggests a self-assured attitude. Would have been painted originally, now only traces of white ground extant. Hollow. Mold-made in two bivalve molds, plaster. The back is modeled but shallow. Small, round venthole at the upper back. Detailing of hair incised. Attached to a square, narrow base. The clay is bright brick-red and finely levigated; hard-fired.
19 × 6.7 cm (7 1/2 × 2 5/8 in.)
Bronze
20th centuryFrenchWax with gilding
18th centuryAustrianUnfired clay mixed with fibers and straw modeled over wooden armature; with polychromy and gilding
7th centuryChinesePlaster with remains of paint and glass inlays
3rd century CEEgyptianWood; red pigment applied to lips and urna and black pigment to the hair and eyes
13th centuryJapaneseWhite jasperware head on blue ground
18th centuryBritishTerracotta
Marble
3rd century CEGraeco-RomanLight gray stoneware with blackened surfaces, the decoration polished into the matte surface before firing
5th-3rd century BCEChineseCrystalline Greek marble, perhaps from Naxos
1st century BCE-2nd century CERomanLeaded bronze, gold and electrum inlays
8th-7th century BCEEgyptian