2nd-3rd century CE
Almost complete figurine with some repairs. Signs of burning at bottom. A standing actor, fully dressed. He wears a mask with a wreath, short, curly hair, and fully open mouth. Dionysiac? A long, straight tunic obscures the body, while a heavy mantle draped around the shoulders and back provides a dramatic frame. The right arm is bent at the elbow and brought up to the mouth; left arm, now missing, likely projected forward. He stands on a hight plinth or platform. Modeling is stiff, yet pose, as if speaking, is dynamic nonetheless. Would have been painted originally. Significant traces of white ground extant. Hollow with open bottom; heavy. Mold-made in a bivalve mold, likely plaster. Arms cast separately and later attached. Linear treatment of features, incised detailing, and general frontality, suggest a later Imperial date. Light red-orange clay, micaceous; perhaps western Anatolian.
15 × 5.5 × 3.9 cm (5 7/8 × 2 3/16 × 1 9/16 in.)
Dr. Harris Kennedy, Milton, MA (by 1932), gift; to the William Hayes Fogg Art Museum, 1932.
Marble
19th centuryAmericanSancai ("three-color") ware: molded white earthenware with caramel-brown and emerald-green lead-fluxed glazes and with traces of cold-painted pigments on the unglazed areas
8th centuryChineseTerracotta
9th-8th century BCECypriot?Plaster
Terracotta
5th-4th century BCEGreekBrass with colored patina
19th centuryItalianLeaded bronze, gilded
2nd-3rd century CERomanStucco with traces of polychromy; Gandharan style, perhaps from Hadda, Afghanistan
2nd-4th century CEAfghanTerracotta
4th-2nd century BCEItalicIron
JapaneseWax on plaster
20th centuryAmericanLeaded bronze
1st-2nd century CERoman