c. 450-400 BCE
On the shoulder: three connected palmettes in reddish brown. On the body: In the center, there is gravestone on a two-stepped platform with a simplified Doric top. There are two fillets tied around the middle and base. A child with curly hair approaches from the left, holding up a mirror in her left hand; her clothing has worn off entirely. On the right there is a woman with a crescent-shaped earring, draped in a dark red himation with her bare right arm raised towards the gravestone. A band of meander pattern decorates the top of the body. This vase has been assembled from fragments and extensively repaired. The mouth and handle may in fact have originally come from another similar vase.
H. 21 cm (8 1/4 in.)
Cloisonne enamel; polychrome enamels within brass cloisons on a copper base
19th centuryJapaneseSilver
18th centuryFrenchNumbered Jun ware: light gray stoneware with variegated magenta and blue glaze; with Chinese numeral 1 (yi) inscribed on base before firing; "Chonghua gong Sui'an shi yong"(Palace of Double Glory, used in the Room of Ease and Contentment) inscription incised on base at a later date
15th centuryChineseBlack and ivory paint on terre de faience
20th centurySpanishProbably Cizhou ware: light gray stoneware with clear glaze over a full coating of white slip, the vertical ribs trailed in white slip
11th-12th centuryChineseBlue-and-white ware: porcelaneous white stoneware with decoration painted in underglaze cobalt-blue
15th centuryAnnameseTerracotta
1st century CERomanBlack and red glaze
4th-3rd century BCEGreekMetal
18th centuryGermanGray stoneware with blackened surface
6th-3rd century BCEChineseCeramic
18th centuryJapaneseMottled green and white jadeite, the stone of Burmese origin
19th-20th centuryChinese