7th-8th century
A portion of a red tapestry woven square (tabula). The design is characterized by mirror symmetry. Animals and birds flank a large abstract, jeweled candelabra plant emerging from an urn. The plant’s eight geometric fronds are made up of interlocking color segments and terminate in small green leaves. These fronds are outlined in white, possibly in soumack stitch. Small tendrils branch off the main leaves of the plant, adding greater complexity to the design. Between the fronds, a stalk with jeweled bars rises up from the plant’s base. Above these is a pair of animals, possibly rabbits. Green geese wearing white ribbons sit among the plant’s upper foliage. Another pair of mammals sits in the mid-level foliage. Two riders are visible at the base of the plant. Behind their heads are green ducks. A brown border containing a gold vine scroll survives on two edges of the square. Many areas of lost wefts in the plants and figures. The square is sewn onto a plain linen backing fabric.
Wool
19th centuryNavajoBook of swatches mounted on paper (56 sheets)
19th-20th centuryJapaneseWool and silk
16th centuryFlemishHeavy black satin with brocaded decoration
18th centuryChineseSilk, metallic yarns (filé. lamé and frisé) and sequins
18th-19th centuryItalianWarp: 2 Z spun S plied wool; 1 level. Weft: 1 Z spun wool in dark red, orange, undyed brown and yellow; mostly 2 and sometimes 3/4/5 yarns per shoot. Pile: 2 Z spun S plied wool. Pile colors: dark red heavily abrashed to light red, dark yellow (heavily abrashed), light green (most likely indigo sulfonic), purple, fuchsine purple (now faded), undyed white, corrosive brown. Knots: symmetrical. Both selvedges: 2 bundles of 2 green warps each. Top end: 1 cm. green tapestry weave, stripped. Top of design is bottom of rug.
19th-20th centuryOttomanInk on silk
20th centuryAustrianBook of swatches mounted on paper (56 sheets)
19th-20th centuryJapanese