6th-7th century
Cuff band made up of two parallel tapestry bands decorated with geometric designs and interlace. The central rectangle in each tapestry band contains two Solomonic knots. The central rectangle is flanked by rectangles filled with diamond and X-shaped patterns created in the flying shuttle technique of supplementary weft wrapping in undyed threads. The supplementary wefts are of different thicknesses; some are very delicate threads. Supplementary weft wrapping in dark blue yarn divides segments of the Solomonic knots. Between the two tapestry bands are 17 passes of plain weave with undyed linen weft. One of these passes contains two wefts, creating a self-band. Undyed, paired linen warps run throughout. Wefts of undyed linen and dark blue wool.
actual: 20.5 x 15.6 cm (8 1/16 x 6 1/8 in.)
Book of swatches mounted on paper (56 sheets)
19th-20th centuryJapaneseWarp: 2 Z spun S plied wool; 1 level. Weft: 1 Z spun wool in dark red, orange, undyed brown and yellow; mostly 2 and sometimes 3/4/5 yarns per shoot. Pile: 2 Z spun S plied wool. Pile colors: dark red heavily abrashed to light red, dark yellow (heavily abrashed), light green (most likely indigo sulfonic), purple, fuchsine purple (now faded), undyed white, corrosive brown. Knots: symmetrical. Both selvedges: 2 bundles of 2 green warps each. Top end: 1 cm. green tapestry weave, stripped. Top of design is bottom of rug.
19th-20th centuryOttomanSilk damask
18th centuryFrenchCotton and wax-covered cotton in yellow and black, twill weave
20th centuryGermanBrown and Indigo dye on cotton textile fibers
19th-20th centuryIndianBook of swatches mounted on paper (56 sheets)
19th-20th centuryJapanese