c. 510 BCE-490 BCE
Greek, Sicilian or South Italian. Mold-made relief. Yellow-gray calcium carbonate deposit obscures surface. Much of top and bottom profiles broken. No trace of fire or other sacrifical use on top. This rectangular "arula", or small altar, has concave sides and simple projecting profiles at top and bottom. On the top left profile are two squares of meander pattern. The front shows, under an arching vine, a silen walking to the right, looking back, with a tall-handled kantharos in his extended right hand and a branch in his left. He is followed by a horse carrying a maenad and a small silen or satyr. His right foot is human, his left equine or incomplete. The maenad, dressed in an overgirt "chiton" rather than the customary tight "peplos," seems to drop the reins from her raised left hand as she glides off the horse. Her bent right arm is intertwined with the left arm of a small satyr, who clutches the tail of the horse with his right hand. He has a short, erect penis. The horse, with arching neck, paws the ground as a cheetah passes under his nose, chasing a hare that looks back over its shoulder.
H. 18 x W. 35 x D.15 cm (7 1/16 x 13 3/4 x 5 7/8 in.)
Dr. Philip Lederer, Berlin. to Charles L. Moreley. to Frederick M. Watkins,1963, bequest; to The Fogg Art Museum, 1972.
White glass paste on black background
18th centuryBritish
Marble
20th centuryAmerican
Bottlecaps and mixed media
20th centuryAmericanTerracotta
3rd-1st century BCEEtruscanTerracotta
4th-2nd century BCEGreekperhaps from Hadda, Afghanistan
3rd-5th century CEAfghanTerracotta, traces of white slip
4th-1st century BCEGreekSandstone; from niche outside of Yungang Cave 16, Shanxi province
5th-6th centuryChineseSun-dried clay with polychrome pigments
12th centuryCentral AsianSandstone
18th centuryGermanUnfired clay
1st century BCE-3rd century CEIndian
Mixed media cast on an armature
20th-21st centuryBritish