16th century
Decorative embroidered panel with scoop cut out for neck with flowers and foliage; three panels below with couched stitching, from top to bottom: Christ in the Garden of Gethsemane with sleeping Peter, James and John in an architectural niche with gothic vaulting; The Kiss of Judas in an architectural niche at the centre of which is a coat of arms vert, a bend sinister to dexter (u.r. to l.l.) in strapwork cartouche; and The Mocking of Christ in an architectural niche. Corded border and backed with linen. Or nué used all over; split and whip stitches; architectural elements are appliquéd.
134.9 × 24.1 cm (53 1/8 × 9 1/2 in.)
Harry G. Friedman, New York, Gift to Fogg Museum, 1960.
Plain weave cotton textile samples with multi-strand floats
20th centuryCroatianInk on silk
20th centuryAustrianWool pile on a foundation of cotton warps and wefts
16th-17th centuryPersianWarp: 2 Z spun S plied wool; 1 level. Weft: 1 Z spun wool in dark red, orange, undyed brown and yellow; mostly 2 and sometimes 3/4/5 yarns per shoot. Pile: 2 Z spun S plied wool. Pile colors: dark red heavily abrashed to light red, dark yellow (heavily abrashed), light green (most likely indigo sulfonic), purple, fuchsine purple (now faded), undyed white, corrosive brown. Knots: symmetrical. Both selvedges: 2 bundles of 2 green warps each. Top end: 1 cm. green tapestry weave, stripped. Top of design is bottom of rug.
19th-20th centuryOttomanTextile fibers
20th centuryCroatianSilk on linen
18th-19th centuryOttomanSilk
ChineseSilk on linen
19th centuryIndian