16th century
Decorative embroidered panel with scoop cut out for neck with flowers and foliage; three panels below with couched stitching, from top to bottom: Christ in the Garden of Gethsemane with sleeping Peter, James and John in an architectural niche with gothic vaulting; The Kiss of Judas in an architectural niche at the centre of which is a coat of arms vert, a bend sinister to dexter (u.r. to l.l.) in strapwork cartouche; and The Mocking of Christ in an architectural niche. Corded border and backed with linen. Or nué used all over; split and whip stitches; architectural elements are appliquéd.
134.9 × 24.1 cm (53 1/8 × 9 1/2 in.)
Harry G. Friedman, New York, Gift to Fogg Museum, 1960.
Silk
19th centuryUzbekCotton and wax-covered cotton in yellow and black, twill weave
20th centuryGermanSilk, metallic yarns (filé. lamé and frisé) and sequins
18th-19th centuryItalianSilk
18th centuryJapanesePolychrome silk gauze with navy blue sash
20th centuryKoreanGold-colored silk and metallic thread on silk ground
19th centuryUzbekWarps: 2 Z spun S plied undyed ivory wool; alternate warps on distinct levels. Weft: 1 ply Z spun buff and undyed brown and dark brown wool; almost all two yarns per shoot. Pile: 2 Z spun S plied wool. Pile colors: dark red, light red, orange, salmon pink, heavily abrashed green/blue-green, green, dark blue, light blue, purple, undyed ivory, and corrosive brown-black. Knots: symmetrical Knots per vertical decimter: 44/43. Knots per horizontal decimeter: 31. Both selvedges replaced: 2 bundles of 2 or 3 warps wrapped in buff weft. Both ends: restored. Woven upside down.
18th-19th centuryTurkish