PrintsAmerican19th-20th century
Saint Agnes
19th-20th century
Artists
Timothy ColeArtist
Andrea del SartoArtist after
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The Standard Bearer
Lucas van Leyden, c. 1510
16th centuryDutch
Prints
The Return of the Prodigal Son
Hans Collaert the Elder, c. 1571
Engraving printed in black ink with added transparent and opaque watercolor and metallic gold on white antique laid paper, darkened to cream
16th centuryNetherlandish
Prints
Graphic Primitives Plate 4
Terry Winters, 1998
20th centuryAmerican
Prints
Plate XXXIV
Mario Carletti, 1964
20th centuryItalian
Prints
Lake Lugano, Italy (Le Blond 22)
Abraham Le Blond, 19th century
19th centuryBritish
Prints
Scene from the play "Imoseyama"
Utagawa Toyokuni 歌川豊国
Left panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper
JapanesePrints
Resembling a Branch (Eda ni utsusu), from the series The Appearance of Upper-Class Women of the Edo Period (Tokugawa jidai kifujin no sugata) -- Woman with a Doll
Yōshū (Hashimoto) Chikanobu 楊洲周延, Meiji period, dated October 10, 1896
Woodblock print in "ōban" format; ink and color on paper
19th centuryJapanesePrints
Variation of Forms I/IV, from "6 Color Woodcuts"
Hann Trier, 1950
Color woodcut on Japanese paper
20th centuryGermanPrints
The Deathboat of Heligoland
Edward Goodall, 19th century
19th centuryBritish
Prints
Last Stop, from the portfolio "Dream Land I"
Alfred Kubin, 1922
Lithograph printed in black ink on cream wove paper, mounted to blue wove paper
20th centuryGermanPrints
Dwarf Oaks
James Duffield Harding, 1850
19th centuryBritish
Prints
Cutting Board Rock at Enoshima (Enoshima Manaitaishi), from the series Chronicles of Kamakura (Kamakura shi), with poems by Kozukean and associates
Kubo Shunman 窪俊満, Edo period, circa 1813
Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper
19th centuryJapanese