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. . . if the Art is noble, the critique is saintly . . . | Harvard Art Museums | KenAI
Harvard Art Museums
Artworks
. . . if the Art is noble, the critique is saintly . . .
Prints
French
19th century
. . . if the Art is noble, the critique is saintly . . .
19th century
Artists
Paul Gavarni
Artist
Classification
Prints
Technique
Lithograph
Culture
French
Century
19th century
Division
European and American Art
Department
Department of Prints
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Prints
M. Prudhomme: "Hooray for the third class carriages, where you can be asphyxiated but never assassinated!"
Honoré-Victorin Daumier, 1864
19th century
French
Prints
"Ah! Excuse me"
Honoré-Victorin Daumier, 1840
19th century
French
Prints
"He's so amiable like that, Dodore..."
Honoré-Victorin Daumier, 1847
19th century
French
Prints
The New Talma Cloak, So Named Because It Gives the Wearer a Look of High Comedy
Honoré-Victorin Daumier, 1852
19th century
French
Prints
"So tell me, papa Drouillet"
Honoré-Victorin Daumier, 19th century
19th century
French
Prints
Mademoiselle Bécat at the Cafe des Ambassadeurs
Hilaire-Germain-Edgar Degas, 1877-1878
Lithograph on off-white wove paper
19th century
French
Prints
You Will Remain Outside
Honoré-Victorin Daumier, 1871
19th century
French
Prints
The Amateur of Melons
Honoré-Victorin Daumier, 19th century
19th century
French
Prints
The Inspection of the Cavalry
Amédée de Noé, called Cham, 19th century
19th century
French
Prints
Gère m'am'celle, fod'dit pillet n'est blis tant mes mains . . .
Paul Gavarni, 19th century
19th century
French
Prints
In rehearsal: There you are at last, a monster wallowing in sin.
Paul Gavarni, 19th century
19th century
French
Prints
Rifolard is More Captiving Than Ever...
Honoré-Victorin Daumier, 1848
19th century
French