Jan Lutma, Goldsmith

Etching and drypoint with plate tone on tan Japanese paper

Etching with plate tone (modern impression) on off-white modern laid paper, a blank page removed from a book

Etching and drypoint on white antique laid paper

Etching and dryoint with gray wash added throughout on off-white wove paper

Etchin and drypoint with plate tone on tan Japanese paper

Etching and drypoint with plate tone on white antique laid paper

Etching and drypoint with plate tone on pale tan Japanese paper

Etching and drypoint with slight plate tone on white antique laid paper

Etching with touches of drypoint on white antique laid paper

Etching and drypoint on white antique laid paper

Etching and drypoint, reworked by William Baillie, printed by Leonard Sessler in the 1950s, on offwhite wove paper