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Illustration XXXII | Harvard Art Museums | KenAI
Harvard Art Museums
Artworks
Illustration XXXII
Prints
Italian
15th century
Illustration XXXII
15th century
Artists
Anonymous Italy (Venice) 1498
Artist
Anonymous Germany
Artist
Classification
Prints
Technique
Woodcut
Culture
Italian
Century
15th century
Division
European and American Art
Department
Department of Prints
Related Artworks
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Prints
Book XXXIX.22. Taurilian games {Quarte Decadis Liber Nonus p. CCXLII}
Anonymous Italy (Venice) 1493, 1493
15th century
Italian
Prints
Canto XVI. The Third Cornice / The Wrathful; Marco Lombardo
Anonymous Italy (Venice) 1491, 15th century
15th century
Italian
Prints
Book XXII.13. Hannibal scourges and crucifies the guide who misled him from Casinum {Tertiae Decadis Liber Secundus p. CIIII verso}
Anonymous Italy (Venice) 1493, 1493
15th century
Italian
Prints
Siege Engines, from Robert Valturi, De re Militari. Verona, Johannes de Verona, 1472
Anonymous Italy (Verona) 1472, 1472
15th century
Italian
Prints
Canto VIII. Circle 5 / The Passage of the Styx (The Wrathful and Phylegas); Circle 6 - The City of Dis (The Fallen Angels Refuse the Poets Entrance)
Anonymous Italy (Venice) 1491, 15th century
15th century
Italian
Prints
Canto VI. The Second Sphere: Mercury / The Seekers of Honor; Justinian
Anonymous Italy (Venice) 1491, 15th century
15th century
Italian
Prints
Battista Malatesta (fol. CXXXX r)
Anonymous Italy (Ferrara) 1497, 1497
15th century
Italian
Prints
Canto XX. The Fifth Cornice / The Avaricious; Hugh Capet
Anonymous Italy (Venice) 1491, 15th century
15th century
Italian
Prints
Letter 120 to Hedibia - Question 3: How are the discrepancies in the evangelical narratives to be accounted for? How can Matthew 28:1 be reconciled with Mark 16: 1,2?
Anonymous Italy (Ferrara) 1497, 15th century
15th century
Italian
Prints
Illustration XLVII
Anonymous Germany, 15th century
15th century
Italian
Prints
Illustration L
Anonymous Italy (Venice) 1498, 15th century
15th century
Italian
Prints
Architectural frame, with an emblematic circular bas-relief, representing two half-length figures of winged genii holding an apple between them (Medium tenuere beati.) (Fol. h vii verso)
Anonymous Italy (Venice) 1499, 1499
15th century
Italian