Photolithograph with transparent base ink on hand-flamed and sooted paper; image brushed with lithotine and lifted from soot, fused in a mild solution of shellac and denatured alcohol

21st centuryAmerican

Prints

Two Barrels before a Hut

Allart van Everdingen, 17th century

17th centuryDutch

Prints

Letters to the Earth, Plate-IV

Edda Renouf, 1991

Light green; soft ground dry point etching on Somerset Satin paper

Georg Bretzing, 19th century

19th centuryGerman

Prints

A Man Netting Birds

Jan van de Velde II, 1615

17th centuryDutch

Prints

The Inn at the Ruins

Simon de Vlieger, 1640-1649

17th centuryDutch

Prints

TORA AND JURO

Utagawa Kunisada 歌川国貞, Edo period, circa early 19th century

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Brush (Fude), the Third Companion with Ono no Tōfū, from the series Four Companions of the Writing Studio for the Ichiyō Circle (Ichiyōren bumbō shiyū)

Yashima Gakutei 八島岳亭, Edo period, circa 1827

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper, with printed signature reading "Gakutei"

19th centuryJapanese

Prints

Tiziano Vecellio

Jacopo Bernardi, 19th century

19th centuryItalian

Prints

Busts of Two Men Wearing Turbans with Feathers

Stefano Della Bella, 17th century

17th centuryItalian