c. 1670
120 x 110.5 cm (47 1/4 x 43 1/2 in.) framed: 159 x 145.5 cm (62 5/8 x 57 5/16 in.)
Thomas Walker (by 1748), London, by descent; to Stephen Skynner (1693-1764), his nephew, by descent; to his daughter, Emma Harvey (1731-1767), Rolls Park, Chigwell, by descent; to William Harvey, 1763 (1754-1779), by descent [1]; to Admiral Sir Eliab Harvey (1758-1830), Rolls Park, Chigwell, his brother, by descent; to Lady Louisa Nugent (1758-1841), his wife, by descent; to Emma Eustace (nee Harvey) (1797-1865), his daughter, sold; to Richard Foster, Esq., Clewer Manor, Berks, c. 1856, sold [through Christie’s, London, July 13, 1895, lot 68]; to [Agnew, London]. Alfred Beit (1853-1906), London, by 1904, by descent (?); to Otto Beit (1865-1930) (his brother), London. [2] Maurice Kann, Paris, 1912 (until at least 1913). [3] Mrs. Ward Jackson, sold [through Christie’s, May 19, 1916, lot 107]; to [Amor]. Sir Ernest Cassel (1851-1921), London. [4] Mrs. Herbert (Margot) Asquith, countess of Oxford and Asquith (?). [Duveen Brothers, New York, 1925] sold; to Nettie G. Naumburg, New York, bequest; to Fogg Art Museum, 1930. Notes [1] William Harvey was a minor when he inherited. His uncle, General Edward Harvey acted as his Guardian. [2] The 2010 Murillo Catalogue Raisonne lists Otto Beit as the owner of the painting, but it was published as Alfred Beit’s property in 1904. Alfred never married and had no children. [3] Kann's ownership is documented in 1914 in "Murillo: des Meisters Gemälde" published in 1913. [4] Cassel’s ownership is derived from the Duveen Brothers Subdivision of Stock at May 31, 1925.
Oil on canvas
19th-20th centuryAmericanOil on canvas
20th centuryAmericanOil on canvas
19th centuryAmericanAlbum leaf; ink on paper
17th centuryJapaneseOil on canvas
19th-20th centuryAmericanGouache on paper mounted to masonite
20th centuryAmericanHanging scroll; ink and light color on paper
18th centuryJapaneseOil (?) on paper mounted on canvas, grisaille
17th centuryItalianHandscroll; ink on paper; with seals of the artist reading "Gong Xian yin" and "Banqian"
17th centuryChineseInk, opaque watercolor and gold on paper; Pahari Style, Kangra School
19th centuryIndianWood
2nd century CEEgyptianOne of eight paintings mounted in accordion-fold album format; ink, color and gold on paper
16th centuryJapanese