16th century
Mounted on cut silk burgundy velvet with knotted cotton fringe at short ends; woven metallic braid divides field into five sections; left panel depicts St. John the Baptist carrying a book and pointing at Agnus Dei under an archway topped by a scallop shell; right panel depicts the Virgin holding the infant Jesus with an orb in his left hand and blessing with his right, in a similar archway; figures and embroidery in silk split stitch on plain woven linen ground; backed with cotton satin.
50.17 x 96.52 cm (19 3/4 x 38 in.)
Nettie G. Naumburg, New York, Bequest to the Fogg Art Museum, 1930.
Plain weave cotton, linen, and spun rayon curtain material in black and gold
20th centuryAmericanResist-dyed gray silk crepe (chirimen) with "twilight dying" (akebono-zome) designs utilizing paste-resist (yuzenzome) and hand-painted techniques; selected motifs embroidered with polychrome silk and gold threads
19th centuryJapaneseBook of swatches mounted on paper (56 sheets)
19th-20th centuryJapaneseCut, voided silk velvet with brocaded metallic thread
16th centuryOttomanSilk lampas
17th centuryItalian?Rayon and synthetic fibers, complex alternating weave
20th centuryGermanCompound-weave silk with supplementary gold wefts; selected motifs embroidered with polychrome silk threads
19th centuryJapaneseSilk with metallic (silver and gilt) yarns filé
15th centuryBohemian