c. 1600-1650
Ivory figure of crucified Christ. Hands and feet are pierced, and nails are in place to affix the sculpture to a vertical surface. A deep groove is present at the top of the figure's head. Christ's hair, beard, pupils and eyelashes are painted in brownish black. His lips and wound on the right side of his torso are painted in red. The loincloth is decorated with geometric and floral patterns, which are painted in red and gilded. Traces of red paint, indicating blood, appear on the figure's forehead, face, neck, arms, hands, torso, legs, and feet.
62.5 × 68 × 13 cm (24 5/8 × 26 3/4 × 5 1/8 in.) framed: 124.5 × 83 × 18.5 cm (49 × 32 11/16 × 7 5/16 in.) 10.8 lb.
Grenville L. Winthrop, New York, NY, bequest; to the Fogg Art Museum, 1943.
Marble
12th-13th centuryItalianTerracotta with traces of pigment
15th centuryItalianIvory
JapaneseSancai ("three-color") ware: molded white earthenware with lead-fluxed cobalt-blue glaze, the unglazed portions with traces of cold-painted pigments
8th centuryChineseWood
EgyptianPlaster
20th centuryRomanTerracotta
RomanAluminum
20th centuryAmericanMarble
19th centuryAmericanWhite jasperware body with green glaze back and front; figures in white relief
18th centuryBritishMolded off-white earthenware with cold-painted pigments over thin white ground
7th centuryChineseBronze with black with brown patina
19th centuryFrench