16th-17th century
Crimson cut velvet (pieced) chasuble edged in polychrome looped fringe. The embroidered orphrey was taken from a cope. The front panels depict, top to bottom, a cherub flanked by urn-topped pedestals; male saint, possibly St. Paul, holding a closed book in his proper right hand and a sword in his left. He stands within an arch topped by arabesques (many losses) below, in a similar niche, is St. Margaret who holds a palm in her p.r. hand, and a closed book in her left. Her dragon is at her feet. This panel is in the best condition. The back orphrey is from the same cope and depicts, top to bottom: the Madonna and child blessing; a bishop saint holding a crozier, wearing a cope an alb with an interesting stole (X crossed over chest); a martyr deacon saint wearing a dalmatic and holdng a palm (his attribute is hard to read).
124.46 x 64.77 cm (49 x 25 1/2 in.)
Brown satin ground with embroidered decoration
18th centuryChineseWool
5th-6th centuryCopticFiber
ItalianWarps: undyed white wool. Wefts: variable, including outlining wefts, eccentric wefts. Weft colors: light red, dark red, red-brown, purple (made of red and blue), light blue (abrashed), green, dark olive green, dark blue. Whites are wool and cotton combined. The rest are wool.
19th centuryTurkishwool pile on a foundation of cotton warps and wefts
19th centuryIslamicJute, twisted paper, and cellophane, basket weave
20th centuryGermanSilk with metallic (silver and gilt) yarns filé
15th centuryBohemian