1704-1705
Circular, the raised body with slightly flaring sides, on domed circular cast foot chased with a band of dentilation, the body chased with vertical fluting below an applied moulded mid-rib and chased above with a band of stylized acanthus leaves on a matted ground; the cast harp-form handles capped by stylized palmettes.
16.5 x 23.8 x 13.6 cm (6 1/2 x 9 3/8 x 5 3/8 in.) 647 g
Private Collector, London, sold [through Christie's, London, Novmeber 12, 1924, lot 118]. Archibald Alexander Hutchinson, New York, bequest; to Fogg Art Museum, 1949.
Northern russet ware of Cizhou type: light gray stoneware with russet-surfaced dark brown glaze
12th centuryChineseInlaid celadon ware: light gray stoneware with celadon glaze over decoration inlaid in black and white slip, the inscription picked out in gold. Reportedly recovered in Naega-myŏn, Kangwha Island, Kyŏnggi province.
13th-14th centuryKoreanEarthenware with bichrome slip-painted decoration
3rd millennium BCEChineseSilver
18th centuryAmericanTerracotta
4th century BCEGreekLeaded bronze
5th century BCEGreekSilverplate
20th centuryAmericanCeramic
19th centuryPersianNumbered Jun ware: light gray stoneware with variegated blue glaze; with Chinese numeral 1 (yi) incised on base; "Jianfu gong Jingsheng zhai louxia yong" (Palace of Established Happiness, used in the Studio of Esteemed Excellence, main floor) inscription incised on base at a later date; metal repairs
15th centuryChineseReddish earthenware covered in white slip and painted with black (manganese and iron) under clear lead glaze
10th centuryJizhou ware: off-white stoneware with dark brown glaze. From the Jizhou kilns, near Yonghe, Ji'an, Jiangxi province.
12th-13th centuryChineseNorthern black ware of Cizhou type: light gray stoneware with dark brown glaze
10th-11th centuryChinese