17th century
Saint Bruno stands in a doorway at the left (note that composition is reversed from original painting) while men kneel to greet him.
57.65 g, 8.3 x 8.5 x 0.3 cm (3 1/4 x 3 3/8 x 1/8 in.)
Grenville L. Winthrop, New York, NY; his bequest to the Fogg Art Museum, 1943.
Enamel on copper
16th centuryFrenchTin-glazed polychromed ceramic
18th centuryItalianElectrotyped metal
20th centuryGermanClay, unfired
Central AsianElectrotyped metal
20th centuryGermanIvory
Clay, unfired
Central AsianElectrotyped metal
20th centuryGermanBronze
1st millennium BCECentral Asian?Lead
3rd century CERomanClay, unfired
Central AsianClay, unfired
Central Asian