c. 1325-1350
The embossed relief represents God the Father or possibly Christ. He is seated, raising His right hand in a gesture of blessing, while His left grasps a book that rests on His knee. The halo has incised lines to indicate rays of light. The background is decorated with an incised lozenge pattern, the alternate compartments of which have been punchecd with an allover dot ornament. Much of the gilding has been worn off. That which remains appears to be original. Six small holes on the edge of the relief were used to attach it to its background. The forehead is slightly dented.
sight: 8.1 x 6.3 x 1.5 cm (3 3/16 x 2 1/2 x 9/16 in.)
Ottmar Strauss, Cologne, sold [through Hugo Helbing, Frankfurt, November 6-8, 1934, lot 99]. [1] [Mathias Komor, New York], sold; to Busch-Reisinger Museum, December 1958 Notes [1] According to an annotated version of the Hugo Helbing sale catalogue the work was sold to “Whilling.” [2] In March 2023, Harvard University reached an agreement with the Ottmar Strauss Heirs allowing the Harvard Art Museums to retain the bronze relief that was sold in Frankfurt in 1934.
Polychromed wood
17th centurySpanishElectrotype of gold original; repoussé
19th-20th centuryMycenaeanLight gray stone, probably sandstone. From the “Elephant Chapel,” Wangmugong Cave 王母宮石窟, Jingchuan, Gansu province.
8th centuryChineseLeaded bronze
7th-1st century BCEEgyptianElectrotype of gold original; repoussé
19th-20th centuryMycenaeanLeaded copper-tin-antimony alloy
7th-1st century BCEEgyptianTerracotta with red slip
3rd-1st century BCEEtruscanCeramic
15th centuryItalianBronze
20th centuryAmerican?
Hardwood, probably walnut
20th centuryAmericanCypress wood with traces of gilt and polychromy
18th centuryItalian