1965
A conceptual work of art, Hybrid, 1966 comprises both "finished" objects and documentary materials. The idea behind the project was to involve the art buying public in the process of artistic decision making. Thus, a group of 137 participants filled in a questionnaire about materials, patterns, and colors and made their own drawing. The questions were based on the sample box that contained samples of materials, colors, forms, etc. Gerald Laing and Peter Phillips processed the answers of the questionnaires in various graphs and charted out the results in a blueprint drawing. On the basis of these data they created the Hybrid sculpture.
21.5 x 27.9 cm (8 7/16 x 11 in.)
Watercolor on cream card
19th-20th centuryBritishGraphite and colored pencil on blueline print
20th centuryBritishBlack ink and white gouache on two sheets of cream wove paper, with an overlapping join at the top
20th centuryBritishGraphite on off-white paper
19th-20th centuryBritishBlack and red chalk on cream wove paper; verso: black and red chalk
19th-20th centuryBritishBlack chalk, black ink, white and orange chalk, squared in red ink, on brown wove paper
20th centuryBritishBlack chalk and pastel on faded blue modern laid paper
20th centuryBritishBrown watercolor, black ink and black chalk on cream wove paper
20th centuryBritishBlack ink on white wove paper
20th centuryBritishWatercolor on thick tan wove paper
19th-20th centuryBritishInk on yellowish paper mounted on cardboard
20th centuryBritish