late 16th century
A falcon perched on a rock holds the center of this drawing; the raptor is flanked by two dragon heads that face rightward; at the top of the page, a lion lopes to the left; and heads, snouts, and feet from unidentified animals populate the interstitial space. The seemingly random assembly of figures on this page suggests that it was a study sheet, an observation supported by the circular squiggle below the lion’s hind legs that was made by an artist pointing the brush or adjusting the amount of ink it carried. In this drawing the artist seems to have been rehearsing compositional elements in the finely articulated, calligraphic line that became popular in Safavid Iran.
32 x 20.5 cm (12 5/8 x 8 1/16 in.)
[F. R. Martin], Collector (by 1912). Stuart Cary Welch, Jr., Warner, New Hampshire (by 1983-2008), by inheritance; to Edith I. Welch, Warner, New Hampshire (2008-2011), gift; to Harvard Art Museums 2011.
B/w photocopies and adhesive on paper
Black ink with touches of graphite on brown wove paper
19th centuryGermanBlack ink, graphite, and yellow chalk on cream wove paper
20th centuryAmericanBlack marker on paper
20th centuryGermanInk and opaque watercolor on paper; Rajput Style, Kota School
19th centuryIndianBrown ink on off-white antique laid paper
16th centuryItalianColored marker on paper
20th centuryGermanColored marker and black pen on paper
20th centuryGermanGraphite on paper
20th centuryGermanBlack and white chalk on blue-gray wove paper
19th centuryAmericanGraphite on off-white wove paper
19th-20th centuryAmericanBrown and black wash on cream antique laid paper
18th centuryItalian