late 16th century
A falcon perched on a rock holds the center of this drawing; the raptor is flanked by two dragon heads that face rightward; at the top of the page, a lion lopes to the left; and heads, snouts, and feet from unidentified animals populate the interstitial space. The seemingly random assembly of figures on this page suggests that it was a study sheet, an observation supported by the circular squiggle below the lion’s hind legs that was made by an artist pointing the brush or adjusting the amount of ink it carried. In this drawing the artist seems to have been rehearsing compositional elements in the finely articulated, calligraphic line that became popular in Safavid Iran.
32 x 20.5 cm (12 5/8 x 8 1/16 in.)
[F. R. Martin], Collector (by 1912). Stuart Cary Welch, Jr., Warner, New Hampshire (by 1983-2008), by inheritance; to Edith I. Welch, Warner, New Hampshire (2008-2011), gift; to Harvard Art Museums 2011.
Ink on paper
Chinese
Black crayon on white wove paper
20th centurySwissBlack and white chalk on green wove paper
19th centuryFrench
Leather bound sketchbook
20th centuryAmericanBlack chalk with colored chalk on blue wove paper; verso: black chalk
19th centuryFrenchGraphite on off-white wove paper
19th-20th centuryAmericanRed chalk on cream antique-laid paper, laid down on cream antique laid paper
18th centuryFrenchWatercolor and gum varnish on off-white wove paper
19th centuryAmericanPaper
19th-20th centuryGerman
Black crayon on off-white wove paper
20th centuryAmericanBrown ink and brown wash on antique laid paper, squared in black chalk, framing line along bottom edge in brown ink
15th centuryItalian