c. 1595
With a remarkable economy of means, this drawing presents a bearded man in an apparent state of meditation, seated before the tools of a scribe. His tall, bell-shaped cap suggests an affiliation with a Sufi or dervish order. Flowing lines of varying thicknesses define the mass of his body, while minute and delicate brush strokes suggest the textures of his beard, shaven head, and light shawl. Based on the exquisite calligraphic freedom of line coupled with a portrayal of a trance-like state, this drawing has been attributed to Aqa Riza (Riza Abbasi) by Stuart Cary Welch, and Sheila Canby.
32 x 20 cm (12 5/8 x 7 7/8 in.)
Stuart Cary Welch, Jr., Warner, New Hampshire (by April 1, 1969-2008), by inheritance; to Edith I. Welch, Warner, New Hampshire (2008-2011), gift; to Harvard Art Museums 2011.
Black ink, opaque watercolor and gold on off-white laid paper
19th centuryIndianColored marker on paper
Black ink on off-white wove paper
20th centuryAmericanBrown wash and graphite on greenish wove paper
18th-19th centuryFrenchColored marker and black pen on paper
20th centuryGermanBrown ink and brown wash over black chalk on cream antique laid paper
17th centuryItalianBlack chalk and gray wash on off-white antique laid paper, framing line in black chalk along left and bottom margins and framing line in black ink along top and right margins; verso: red chalk [another hand?]
17th-18th centuryDutchGraphite on paper
20th centuryGermanWatercolor over graphite on off-white wove paper
19th centuryAmericanCharcoal and black ink on off-white wove paper; verso: charcoal
20th centuryAmericanGraphite on paper
20th centuryGermanBlack chalk and brown wash with traces of white chalk on toned cream antique laid paper, framing lines in brown and black ink, laid down on light tan antique laid paper
18th centuryFrench