c. 1698
The drawing depicts Rana Amar Singh II (r. 1698-1710) of Mewar sitting cross-legged and in profile. On his forehead is an ochre-colored tilaka, a mark worn on a daily basis or especially for special religious occasions and rites. A green cloth draped over this right hand and the saffron-colored scarf draped over his bare-chest implies he is in the process of worship. He is adorned with bracelets, rings, an earring, and several necklaces, made of pearls and precious stones, as well as a large pendants. Rajput style, Mewar school.
54 x 40.6 cm (21 1/4 x 16 in.)
Stuart Cary Welch (by 1983 - 2008,) by descent; to his estate (2008-2009,) gift; to Harvard Art Museum. Notes: Object was part of long-term loan to Museum in 1983.
Opaque watercolor on paper
18th-19th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianOpaque watercolor, gold and metallic pigment on paper
18th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianOpaque watercolor and gold on paper; Pahari Style
18th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianInk, opaque watercolor and gold on paper; Pahari Style, Basohli School
18th centuryIndianOpaque watercolor, gold and silver on paper
18th centuryIndianOpaque watercolor and some gold on paper
18th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianOpaque watercolor and metallic pigment on paper
18th centuryIndianOpaque watercolor and gold on paper; Rajput Style
18th-19th centuryIndian