19th century
In the center of the painting, in an open, green field, is Rupmati. She is shown wearing a red-orange turban with a gold sash and a long red-orange dress with a slit down the chest. Her long black hair falls past her back. With her left hand she holds the reigns of her brown horse, while her left hand wears a glove and supports a white falcon. Riding beside her on a gray and white dappled horse with henna-dyed legs is Baz Bahadur. He wears a pink turban with a gold sash and a long pink robe. His left hand gestures in conversation, while his right hand supports a white falcon. Rupmati and Baz Bahadur gaze into each other’s eyes. Rupmati was a Hindu shepherdess and a singer. Once out hunting, Baz Bahadur, the last Sultan of Malwa in present-day Madhya Pradesh (r. 1555-1562) heard her melodious voice and was enchanted by her beauty. They both fell in love and were married according to both Hindu and Muslim rites. Pahari style.
17 x 22.8 cm (6 11/16 x 9 in.)
Stuart Cary Welch (by 1983 - 2008,) by descent; to his estate (2008-2009,) gift; to Harvard Art Museum. Notes: Object was part of long-term loan to Museum in 1983.

Album leaf now framed and mounted; acrylic colors on paper; with romanized date and signature of the artist written twice, each reading "Luis Chan 1987"
20th centuryChineseOil on canvas
19th centuryAmericanOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseSix-panel folding screen; ink and gold on paper
19th centuryJapanese
Oil on canvas
20th centuryAmerican
True Fresco
20th centuryAmerican
Oil on canvas
20th centuryAmericanOil on canvas
19th centuryBritish, ScottishSecond of a pair of thread-bound "Nara ehon" books with indigo-dyed paper covers; ink, color and gold on paper in indigo-wrapped case
17th centuryJapaneseOne from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06"
21st centuryChinese
oil on canvas
20th centuryAmericanOil on canvas
19th-20th centuryAmerican